Point Break: Raymond Pettibon, Surfers and Waves (David Zwirner Books, 2022)
In 1985, Raymond Pettibon began his iconic series of waves, popular for its frequent depiction of the lone surfer silently carving “a line of beauty” along an impossibly large wave.
The artist’s latest publication, Point Break: Raymond Pettibon, Surfers and Waves, traces a selection of more than one hundred surfers and waves from the series, from smaller monochromatic works on paper to colorful large-scale paintings applied directly to the wall.
About the Wave Series
Raymond Pettibon in his SoHo studio, New York, 2017. © Jason Schmidt
“Big-wave surfing is of epic proportions. It has to do with what you call the sublime.… It has to do with making artwork about nature at its most epic, its most ferocious.”
—Raymond Pettibon
Point Break: Raymond Pettibon, Surfers and Waves (David Zwirner Books, 2022)
Pettibon was born in 1957 and raised in Hermosa Beach, California, and his childhood revolved around books, comics, basketball, baseball, and surfing. To this day, these works draw on the West Coast surfer culture Pettibon grew up with: “I’m interested in those early, pre–surf craze days.… I like the purity, the ‘man alone at sea.’”
Installation view, Raymond Pettibon, Museum of Contemporary Art, Los Angeles, 1999
Installation view, Raymond Pettibon: A Pen of All Work, New Museum, New York, 2017. Photo by Maris Hutchinson / EPW Studio
Installation view, Raymond Pettibon: A Pen of All Work, New Museum, New York, 2017. Photo by Maris Hutchinson / EPW Studio
Installation view, Raymond Pettibon: Frenchette, David Zwirner, Paris, 2019
Installation view, Raymond Pettibon: TH EXPLOSIYV SHOYRT T, David Zwirner, New York, 2017. Photo by Dan Bradica
Installation view, Raymond Pettibon: To Wit, David Zwirner, New York, 2013. Photo by Timothy Schenck
“Perhaps no subject better captures the spirit of Mr. Pettibon’s drawings than that of surfers dwarfed by towering waves.”
—Nancy Princenthal, The New York Times
Inside Point Break: Raymond Pettibon, Surfers and Waves
Point Break: Raymond Pettibon, Surfers and Waves (David Zwirner Books, 2022)
“The desire for the sea in Pettibon’s art hinges on the life-affirming threat of a suspended perishing that is obsessively embraced.”
—Brian Lukacher
Victor Hugo, Ma destinée, 1867 (detail)
J. M. W. Turner, Snow Storm—Steam-Boat off a Harbour’s Mouth, 1842 (detail)
Featured in Point Break is an essay by Brian Lukacher that explores humanity’s relationship to the sea over time and connects Pettibon to other artists throughout history, including J. M. W. Turner, known for his turbulent seascapes, and the literary giant Victor Hugo’s lesser-known ink drawings of crashing waves.
The monograph also includes the writer, editor, and former professional surfer Jamie Brisick’s examination of the California surf and music culture of Pettibon’s youth, Pettibon’s relationship to surfing and how it informs his practice, and an interview with the artist. The professional surfers Stephanie Gilmore and Emily Erickson also surface with writing that captures the sensory experience of conquering the enormous waves depicted in Pettibon’s works—and what it feels like to wipe out.
Point Break: Raymond Pettibon, Surfers and Waves (David Zwirner Books, 2022)
“It’s impossible to not see the self-portrait: Raymond the artist, streaking across the pitching, heaving, throaty blue wall that is his hopes/ dreams/ ideas.… It’s also impossible to not see how he’s selected the perfect metaphor.”
—Jamie Brisick
Greg Noll surfing at Waimea Bay, 1963. Courtesy Bruce Brown Films, LLC Archives
Raymond Pettibon painting at David Zwirner, New York, 2011. Photo by Aubrey Mayer
Book Launch Event
Point Break: Raymond Pettibon, Surfers and Waves (David Zwirner Books, 2022)
Pilgrim Surf + Supply
33 Grand Street, Brooklyn
Tuesday, July 26, 6–8 PM
Featuring Jamie Brisick, writer and former pro surfer, in conversation with Spencer Leigh, director of Raymond Pettibon: A Collection of Lines.
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