Anni Albers
Concurrent with a significant new exhibition at the gallery in New York, this online presentation offers a view of Anni Albers’s boundless world, through the artist’s unique designs, textile patterns, and works on paper.
In the words of Nicholas Fox Weber, Executive Director of the Josef and Anni Albers Foundation, “Albers’s guiding principle was: aesthetics are not confined to a single area of life. At the same time as she put miracles of playfulness and intelligence on the walls, she did so in fabrics to hang as room dividers, in upholstery materials, in draperies, and in rugs that brought diversion and vitality to the floor. What she cherished in one arena she prized everywhere.”
This collection brings together works on paper from the Bauhaus pioneer, along with a range of new textiles and designs in limited edition color-ways produced in collaboration with British textile maker Christopher Farr, a longtime partner of the Josef and Anni Albers Foundation.
Image: Anni Albers’s W/Co, 1974, featured alongside E Wallpaper (Dark blue). Photograph by Max Burkhalter
“Neither the use for which an object is intended nor the material it is made of keeps an object from being art.” —Anni Albers, from her 1963 lecture, “On Weaving”
Anni Albers card weaving at Black Mountain College. Courtesy of Western Regional Archives, State Archives of North Carolina
Albers’s revolutionary “pictorial weavings”—textiles designed expressly as art—were vastly influenced by Pre-Columbian art and textiles, which she studied and collected over the course of her many trips to Mexico in the 1930s and 40s. By 1949, Albers had become the first textile designer to have a solo exhibition at the Museum of Modern Art in New York.
Her intricately patterned, complex compositions were built upon geometric motifs and minimal, reiterated elements across both her prints and textiles.
Installation view, Anni Albers: Textiles, Museum of Modern Art, New York, 1949. Photo: Soichi Sunami. Courtesy of the Museum of Modern Art, New York
This work is part of a series of screenprints titled Camino Real, which Albers created after the design for the Camino Real Hotel in Mexico City. Triangles such as these became a dominant motif in Albers's work during this period, due in large part to the difficulty and lack of precision inherent to including triangular forms within the gridded structure of textiles. As Fox Weber describes, Albers's prints "were by no means transpositions for another medium; rather, they were celebrations of the possibilities of her new realm."
“Anni’s world, her materials, all juxtapose what is very solid and sure and steady with what is uncertain, mysterious, adventurous—results that never stop engaging us, that are independent of anything we have ever seen elsewhere, that immortalise the love of making that Anni Albers felt to the core.”
—Nicholas Fox Weber, Executive Director of the Josef and Anni Albers Foundation
“For Anni, whose perpetual goal was to achieve what was 'universal and timeless'—among her favorite words, of the same high echelon as 'process'—each print was an effort to make art to achieve that aim.”
—Nicholas Fox Weber
“Her constructions are full of variation, and have a subtle sense of balance that never yields a formula, and that provides continuous visual exercise and diversion.”
–Nicholas Fox Weber
MZ Wallace has partnered with the Josef and Anni Albers Foundation on a limited-edition Metro Tote. All proceeds support Le Korsa foundation’s educational efforts for women in Senegal.
For more information or to purchase, click here.
These unique Anni Albers textiles and non-woven wallpapers are produced exclusively for this online viewing room in collaboration with Christopher Farr in association with The Josef & Anni Albers Foundation. For the past 10 years, Christopher Farr, Matthew Bourne, and Michal Silver have worked closely with Lucy Swift Weber at the Foundation to realize the vision of Josef and Anni Albers through handmade rugs, tapestries, fabrics and wallpapers.
The pattern for the Temple rug was developed for Anni Albers’s 1956 studies for the Ark hanging panels, produced for the Jewish Temple Emanu-El in Dallas, Texas.
Albers based the original green, blue, and gold color scheme on the Temple Emanu-El's stained-glass windows, designed by Hungarian sculptor György Kepes.
Anni Albers
Width 52.8" / 134 cm
Horizontal repeat 13.2" / 33.5 cm
Vertical repeat 13" / 32 cm
Category: Indoor Printed
Drop type: Straight Match
Upholstery: 25,000 rubs
Country of origin: England
Other: Please allow for 3% shrinkage when calculating required quantities
 
Shipping co
Anni Albers
Width 52.8" / 134 cm
Horizontal repeat 13.2" / 33.5 cm
Vertical repeat 13" / 32 cm
Category: Indoor Printed
Drop type: Straight Match
Upholstery: 25,000 rubs
Country of origin: England
Other: Please allow for 3% shrinkage when calculating required quantities
 
Shipping cost per 10 yard
Anni Albers
Width 52.8" / 134 cm
Horizontal repeat 13.2" / 33.5 cm
Vertical repeat 13" / 32 cm
Category: Indoor Printed
Drop type: Straight Match
Upholstery: 25,000 rubs
Country of origin: England
Other: Please allow for 3% shrinkage when calculating required quantities
 
Shipping co
Anni Albers
Width 52.8" / 134 cm
Horizontal repeat 13.2" / 33.5 cm
Vertical repeat 13"/ 32 cm
Category: Indoor Printed
Drop type: Straight Match
Upholstery: 25,000 rubs
Country of origin: England
Other: Please allow for 3% shrinkage when calculating required quantities
 
Shipping cost per 10 yard
Anni Albers
Width 52.8" / 134 cm
Horizontal repeat 13.2"/ 33.5 cm
Vertical repeat 13"/ 32 cm
Category: Indoor Printed
Drop type: Straight Match
Upholstery: 25,000 rubs
Country of origin: England
Other: Please allow for 3% shrinkage when calculating required quantities
 
Shipping cost per 10 yard
Anni Albers
Width 52.8" / 134 cm
Horizontal repeat 13.2" / 33.5 cm
Vertical repeat 13" / 32 cm
Category: Indoor Printed
Drop type: Straight Match
Upholstery: 25,000 rubs
Country of origin: England
Other: Please allow for 3% shrinkage when calculating required quantities
 
Shipping cost per 10 yard
Learn More from the Josef and Anni Albers Foundation