Installation view, Francis Alÿs: Don’t Cross the Bridge Before You Get to the River, David Zwirner, Paris, 2021
Francis Alÿs: Don’t Cross the Bridge Before You Get to the River
David Zwirner is pleased to announce an exhibition of works by Belgian-born, Mexico-based artist Francis Alÿs at the gallery’s Paris location. Don’t Cross the Bridge Before You Get to the River brings together a group of works made by the artist from 2006 onward that relate to an action that took place simultaneously on opposite shores of the Strait of Gibraltar—in Tangier, Morocco, and Tarifa, Spain—on 12 August 2008. This is the first solo presentation in Paris for the internationally acclaimed artist, who will represent Belgium at the 2022 Venice Biennale.
Alÿs is known for his in-depth projects in a wide range of media, including documentary film, painting, photography, performance, and video. Through his practice, Alÿs consistently directs his distinct poetic and imaginative sensibility toward anthropological and geopolitical concerns centered around observations of, and engagements with, everyday life. The artist himself has described his work as “a sort of discursive argument composed of episodes, metaphors, or parables.”
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Installation video, Francis Alÿs: Don’t Cross the Bridge Before You Get to the River, David Zwirner, Paris, 2021
Video by Pushpin Films
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Installation view, Francis Alÿs: Don’t Cross the Bridge Before You Get to the River, David Zwirner, Paris, 2021
The Strait of Gibraltar
is 7,7 nautical miles wide (13 km)
and separates Africa from Europe.
If a line of kids
leaves Europe towards Morocco,
and a line of kids
leaves Africa towards Spain,
will the 2 lines meet
in the chimera of the horizon?
Tarifa, Spain
Strait of Gibraltar
Aug 12, 2008
مضيق جبل طارق
يمتد سبعة أميال بحرية (13 كم)
فاصلا بين أفريقيا وأوروبا.
إذا ما صف من الأطفال
غادر أوروبا باتجاه المغرب،
وصف آخر من الأطفال
غادر أفريقيا باتجاه إسبانيا،
هل يلتقي الصفان
عند وهم الأفق؟
طنجة، المغرب
مضيق جبل طارق
12 غشت 2008
“The Strait [of Gibraltar] seemed like the obvious place to illustrate this contradiction of our times: how can one promote global economy and at the same time limit the global flow of people across continents?”
—Francis Alÿs
“The difference between a military operation and an artistic gesture lies precisely in the missing fragment of the bridge: the gap that has to be filled by our imagination. That’s what triggers the poetry and makes the artistic operation happen, that’s what opens a moment of suspension.”
—Francis Alÿs, The Logbook of Gibraltar
“Playing with images of maps and mobile continents, dragged by bodies and rafts or their fragments, or sketching beings that turn into islands and other geographical markers, Alÿs infused around his bridge at Gibraltar a tale of tales defined by icons reminiscent of ancient miracles.… Alÿs’s paintings are not his action-stories, but rather a parallel thought process that occurs when the artist imagines, plans, or reflects on the creation of one of his projects. Alÿs’s paintings are both autonomous and accessories to the project that emits them. These paintings are both the memory and the outline of the ideas that accompany the works, and their most intimate, refined result.”
—Cuauhtémoc Medina
“His thought process takes an aesthetic turn when moving from a concrete political situation to the miragelike quality of dreams, or from the adult world into child’s play.”
—Gabriela Jauregui, Art Review
Installation view, Francis Alÿs: Don’t Cross the Bridge Before You Get to the River, David Zwirner, Paris, 2021
Francis Alÿs, Untitled (Study for 'Don't Cross the Bridge Before You Get to the River'), 2007–2008 (detail)
Francis Alÿs, Untitled (Study for 'Don't Cross the Bridge Before You Get to the River'), 2007–2008 (detail)
Installation view, Francis Alÿs: Don’t Cross the Bridge Before You Get to the River, David Zwirner, Paris, 2021
Francis Alÿs, Untitled (Study for 'Don't Cross the Bridge Before You Get to the River'), 2007–2008 (detail)
Francis Alÿs, Untitled (Study for 'Don't Cross the Bridge Before You Get to the River'), 2007–2008 (detail)
“Let the images talk on many different levels as only poetry can.… Insert a story into the history of the Strait. Stories pass through a place without the need to settle anything.”
—Francis Alÿs
Installation view, Francis Alÿs: Don’t Cross the Bridge Before You Get to the River, David Zwirner, Paris, 2021
Installation view, Francis Alÿs: Don’t Cross the Bridge Before You Get to the River, David Zwirner, Paris, 2021
Francis Alÿs
Painting: Oil and encaustic on canvas on wood
Drawing, framed: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm)
Painting: 9 3/8 x 7 5/8 inches (23.7 x 19.3 cm)
“What makes Francis Alÿs’s practice one of the most compelling in recent art is that he manages to find poetic and imaginative ways to address the urgent political and economic crisis of contemporary life.… Children were invited to walk into the waves with these shoe-boats, forming two lines that stretched out towards one another over the seas. New associations emerged: to the Children of Israel crossing the Red Sea, to Jesus walking on water. And it was only after he made the shoe-boats that Alÿs realized that there was an almost identical construction in Hieronymus Bosch’s Last Judgment.”
—Mark Godfrey
Inquire about works by Francis Alys
Francis Alÿs
Painting: Oil and encaustic on canvas on wood
Drawing, framed: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm)
Painting: 9 3/8 x 7 5/8 inches (23.7 x 19.3 cm)