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Installation view, Katherine Bernhardt: Why is a mushroom growing in my shower?, David Zwirner, London, 2022
Installation view, Katherine Bernhardt: Why is a mushroom growing in my shower?, David Zwirner, London, 2022
David Zwirner is pleased to present its first exhibition with American painter Katherine Bernhardt (b. 1975) since announcing representation of the St. Louis–based artist in 2021. Taking place at the gallery’s London location, the exhibition will feature new large-scale paintings that include motifs from Bernhardt’s unique visual lexicon, which culls from an irreverent American pop vernacular as well as her own life and the broader culture. These works crackle with electrifying colour and the artist’s lively brushwork, and feature familiar imagery such as the Pink Panther, Garfield, and E.T., in addition to fresh subjects like Ditto from Pokémon, Crocs shoes, psilocybin mushrooms, and bathroom showers.
This will be Bernhardt’s first solo presentation in London since 2015. To coincide with the exhibition, the gallery will launch an online viewing room with associated works on paper.
Image: Katherine Bernhardt, Fungi Bathing, 2022 (detail)
Installation view, Katherine Bernhardt: Why is a mushroom growing in my shower?, David Zwirner, London, 2022
Installation view, Katherine Bernhardt: Why is a mushroom growing in my shower?, David Zwirner, London, 2022
Katherine Bernhardt is known for her unique visual lexicon, which draws from an irreverent American pop vernacular as well as her own life and the broader culture. In her first exhibition with David Zwirner since joining the gallery in 2021, the artist presents new large-scale paintings that crackle with electrifying color and her distinct, lively brushwork.
The monumental paintings feature Bernhardt’s familiar motifs, including the Pink Panther, Garfield, and E.T., while bringing in fresh subjects such as Ditto from Pokémon, Crocs footwear, magic mushrooms, and even bathroom showers as both a setting for these outlandish forms as well as a space to brainstorm ideas.
Katherine Bernhardt in her studio, St. Louis, 2022. Video by Elizabeth Bernhardt
“Bernhardt has shown herself to be an entirely unique painter of our times, chronicling her life and the larger culture through a daring painterly technique and an expansive sense of form and space.”
—Nicole Rudick, art critic
Installation view, Katherine Bernhardt: Why is a mushroom growing in my shower?, David Zwirner, London, 2022
Installation view, Katherine Bernhardt: Why is a mushroom growing in my shower?, David Zwirner, London, 2022
The paintings touch on contemporary trends, including the return of pop culture’s obsession with mushrooms and our increasing predilection for comfortable shoes during the COVID-19 pandemic.
Bernhardt draws inspiration from the design of Crocs shoes and the brand’s many collaborations, which she pays homage to in a monumentally scaled painting on the gallery’s first floor. Crocs World (2022) features the heeled green Balenciaga Crocs, the Crocs x Carrots collaboration, Bad Bunny’s glow-in-the dark Crocs, and the mushroom-sprouting Crocs designed by music producer Diplo.
The KFC x Crocs collaboration, featuring realistic drumstick charms, and the Crocs x Diplo shoes in Bernhardt’s studio, 2022. Photo by Elizabeth Bernhardt
The KFC x Crocs collaboration, featuring realistic drumstick charms, and the Crocs x Diplo shoes in Bernhardt’s studio, 2022. Photo by Elizabeth Bernhardt
Katherine Bernhardt in her Bad Bunny x Crocs shoes in front of Crocs World, a large painting that draws from the shoes’ iconography. Photo by Elizabeth Bernhardt
Katherine Bernhardt in her Bad Bunny x Crocs shoes in front of Crocs World, a large painting that draws from the shoes’ iconography. Photo by Elizabeth Bernhardt
Katherine Bernhardt in her St. Louis studio with a pair of shoes designed by Diplo in collaboration with Crocs. Photo by Elizabeth Bernhardt
Katherine Bernhardt in her St. Louis studio with a pair of shoes designed by Diplo in collaboration with Crocs. Photo by Elizabeth Bernhardt
The limited-edition Diplo Crocs, launched in 2021 and featuring swirls, lights, and sprouting 3D glow-in-the-dark fungi, inspired Bernhardt to look into mushrooms as a subject for her paintings.
These new works also recall art-historical and architectural precedents that speak to a particular mode of postwar domestic life, including the shower paintings of David Hockney, the tiled bathrooms in William Eggleston’s color photographs, and Superstudio’s furniture overlaid with orthogonal grids from the 1970s.
Jean-Pierre Raynaud’s La Maison de La Celle-Saint-Cloud, Paris, opened in 1974
Jean-Pierre Raynaud’s La Maison de La Celle-Saint-Cloud, Paris, opened in 1974
William Eggleston, Untitled [Pink Bathroom], 1970–1973 (detail)
William Eggleston, Untitled [Pink Bathroom], 1970–1973 (detail)
Many of Bernhardt’s new canvases show improbable scenarios in various tiled-bathroom interiors whose chromatic combinations are derived from bathrooms Bernhardt herself has designed.
Coinciding with the exhibition, the gallery presents an online feature with related works on paper featuring Bernhardt’s tiled-bathroom interiors.
“This particular body of work focuses on Crocs, mushrooms, and showers—sometimes Crocs taking showers, and sometimes mushrooms taking a shower. Also other characters taking a shower.”
—Katherine Bernhardt
“These differentiated objects become something totally and completely graphic in her hands. They’re also extremely nonsensical.… It’s this juxtaposition of the things that don’t necessarily make sense together where she finds that both visual but also kind of metaphorical relationships grow.”
—Lisa Melandri, executive director, Contemporary Art Museum St. Louis
Installation view, Katherine Bernhardt: Why is a mushroom growing in my shower?, David Zwirner, London, 2022
Installation view, Katherine Bernhardt: Why is a mushroom growing in my shower?, David Zwirner, London, 2022