Installation view, Suzan Frecon: recent paintings, oil and water, David Zwirner, London, 2022
Suzan Frecon: recent paintings, oil and water
David Zwirner is pleased to present new work by American artist Suzan Frecon at the gallery’s 24 Grafton Street location, marking her eighth solo exhibition with the gallery and the first major presentation of her paintings in London. On view will be new large-scale and midsized canvases that elaborate on the artist’s enduring investigation of painting, as well as her richly textured paintings on paper.
Frecon is known for abstract oil paintings and works on paper that—as she notes—‘speak for themselves.’ Made over long stretches of time, her work invites the viewer’s sustained attention: these, she says, ‘are not pictures that you look at. They are paintings that you experience.’1
1 Suzan Frecon, “text and related work,” in Suzan Frecon: oil paintings and sun. Exh. cat. (New York: David Zwirner Books, 2015), p. 63.
Image: Suzan Frecon’s studio, Germantown, New York.
Installation view, Suzan Frecon: recent paintings, oil and water, David Zwirner, London, 2022
Suzan Frecon is known for abstract oil paintings and works on paper that—as she notes—“speak for themselves.” Made over long stretches of time, her work invites the viewer’s sustained attention: these, she says, “are not pictures that you look at. They are paintings that you experience.”
Frecon’s works are the result of a deliberative and searching process in the mediums of oil paint and watercolor paint, in tandem with graphite sketches and notes. All are part of the same unity, and new works often evolve from previous compositions.
Suzan Frecon’s studio, Germantown, New York. Photo by Julie Brown Harwood
“Frecon’s art is modular, but subliminally. Moreover, she constructs her ellipsoids so that the area occupied on either side of the central divider is equivalent. This left-right balance works its magic without appearing to be what it is—a secret symmetry within an asymmetrical composition.”
—Richard Shiff, Suzan Frecon: painting
“Her colors, which she grinds and mixes herself, tend toward dark. Rust, blues and greens prevail here with results that seem like nocturnes. The physicality of the work stems from Ms. Frecon’s earthy color sense but also from her subtle yet decisive contrasts of matte and shiny surfaces.”
—Roberta Smith, The New York Times
Suzan Frecon, tessera 2, 2021 (detail)
“Besides the deep, lush color, what makes Ms. Frecon’s works compelling is the sumptuous, tactile quality of the paint. Blue areas glow ... as if lighted from behind like stained glass.... Monumental yet tenderly intimate, Ms. Frecon's paintings cast a lingering spell.”
—Ken Johnson, The New York Times
Installation view, Suzan Frecon: recent paintings, oil and water, David Zwirner, London, 2022
Installation view, Suzan Frecon: recent paintings, oil and water, David Zwirner, London, 2022
Frecon’s continued interest in variations of ongoing compositional motifs is evident in a series of new works from her “cathedral” series. Similar in structure, these works vary profoundly in their individual color combinations, distinct degrees of luminosity, scale, and surface variation.
Suzan Frecon, llibre vermell, 2021 (detail)
Suzan Frecon’s studio, Germantown, New York. Photo by EPW Studio
“I always craved geometric solutions. They underlie so many things: architecture and old paintings that are informed by geometry, like Cimabue, Romanesque cathedrals, churches. You have the structure of the building and then you have the curves of the architecture and then within that you have the painting and within that you have the art.”
—Suzan Frecon
“Her use of asymmetrical, archlike shapes … tacitly connects to what has been called sacred geometry, which is believed to be capable of revealing the basic structures of reality.… None of this is spelled out, of course. Frecon wants the viewer to have a direct experience with her work.”
—John Yau, Suzan Frecon
For her watercolors, the artist employs found Indian hemp and ledger paper, which she burnishes with agate. Each sheet has its own innate character, properties, and irregular shape; its creases, holes, blemishes, and scale become an integral component of the watercolor.
Suzan Frecon, cathedral study with reverse curves, 2020 (detail)
Installation view, Suzan Frecon: recent paintings, oil and water, David Zwirner, London, 2022
Installation view, Suzan Frecon: recent paintings, oil and water, David Zwirner, London, 2022
“What we encounter in her work is her finely attuned openness, a sense of color unlike anyone else’s. The paintings challenge us as they nourish our senses: Can we let go of words and just look? Can we live in silence long enough to begin seeing what is in front of our eyes? Can we act upon that?”
—John Yau, Suzan Frecon
Inquire about works by Suzan Frecon