![A photograph of Shio Kusaka in her studio in Los Angeles by Ye Rin Mok, dated 2022.](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
This online presentation features an exclusive look into Shio Kusaka’s studio practice and the creation of new ceramic works inspired by ancient Japanese ceramics from the Jōmon period (c. 10,500–300 BC). A selection of these works will be shown at the FOG Design+Art fair in San Francisco.
![A photograph of Shio Kusaka in her studio in Los Angeles by Ye Rin Mok, dated 2022.](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
“I’ve been studying and making Jōmon pots since the summer of 2021. I first learned about them in history class in elementary school and thought they looked wild.
This feels like it will be a long-term project for me and I’m curious to see where it goes. I’m sure I have Jōmon-ness in me and I’m trying to pull it out.”
![Kusaka’s new ceramic work, (line 150), dated 2022. Photo by Ye Rin Mock](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
![Shio Kusaka's in her LA studio, Photo by Ye Rin Mock](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
![Shio Kusaka in her LA studio, Photo by Ye Rin Mock](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
“The word Jōmon means ‘rope-patterned,’ because they would press tied ropes onto the pot’s surface to create patterns. They also heavily sculpted the clay. I’m interested in these sculpting and building aspects of Jōmon pottery.”
![Shio Kusaka in her studio, Photo by Ye Rin Mock](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
![Shio Kusaka working in her studio, Photo by Ye Rin Mock](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
![Shio Kusaka working in her studio, Photo by Ye Rin Mock](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
![New works by Shio Kusaka are displayed on a shelf in the artist’s studio. Photo by Ye Rin Mock](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
“I made my version of Jōmon pots before, where I sculpted the whole surface of the form. It was a lot of work to sculpt the whole pot, so for these new works, I sculpted the top part and made lines for the bottom.”
![Detail view of one of Kusaka’s Jōmon vessels. Photo by Ye Rin Mock](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
“My patterns are inspired by the form of the pots themselves. I like patterns that are a natural result of the pot’s shape.”
![A photograph of Shio Kusaka in her studio in Los Angeles by Ye Rin Mok, dated 2022.](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
![A photograph of Kusaka revealing the square symbol and date she often inscribes n the bottom of her works.](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
![A portrait of Shio Kusaka in her studio, dated 2022](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
![](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
See these works in person at FOG Design+Art, San Francisco, January 19–22