![Utopia Editions Lucas Arruda](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
![Utopia Editions Lucas Arruda](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
A print diptych by Lucas Arruda
São Paulo–based artist Lucas Arruda worked with Parisian intaglio studio Atelier René Tazé on an edition comprising two etchings that together echo the artist’s uniquely meditative and sensorial approach to landscape painting.
Untitled
Published by Utopia Editions, Arruda’s diptych features two single-plate etchings: one depicting a surreal landscape pulled from the artist’s own dreams, the other featuring a hazy, abstract motif that translates the artist’s site-specific light installations into print.
![Lucas Arruda working on the copper plate in his studio, dated 2023](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Arruda works on the copper plate for the abstract image featured in Untitled, 2023, at Atelier René Tazé, 2023. Photo by Matthew Avignone
Arruda works on the copper plate for the abstract image featured in Untitled, 2023, at Atelier René Tazé, 2023. Photo by Matthew Avignone
Together, the two images propose an equilibrium between light and darkness, material and immaterial, fantasy and reality.
Arruda worked with master printers Bérengère Lipreau and Domitille Araï to develop the limited edition etching, in which tonal variation and a sense of luminosity complement the artist’s sensorial approach to landscape painting.
![A work by Lucas Arruda, titled "Untitled (from the Deserto-Modelo series)", dated 2018](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Lucas Arruda, Untitled (from the Deserto-Modelo series), 2018
Lucas Arruda, Untitled (from the Deserto-Modelo series), 2018
![A photo of Arruda signing each diptych](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Each diptych is signed by Arruda. Photo by Matthew Avignone
Each diptych is signed by Arruda. Photo by Matthew Avignone
The first print, which illustrates a scene from Arruda’s own dreams, depicts a canoe that hovers in midair as water relentlessly drips from it into a pool beneath. A string of animal skins dangles precariously above, like a surreal memento mori.
![Detail of a print by Lucas Arruda, titled "Untitled," dated 2023](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Lucas Arruda, Untitled, 2023 (detail)
Lucas Arruda, Untitled, 2023 (detail)
This balance of the upper and lower elements perhaps reflects my desire to find an equilibrium between dream and reality.
—Lucas Arruda
![A photo of Arruda in his studio, dated 2023](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Arruda uses sandpaper on a copper plate, which is then treated with an aquatint technique to create a graded tonal effect. The areas that are more heavily buffed hold more ink, yielding a darker tone, in subtle contrast to the more lightly sanded areas. Photo by Matthew Avignone
Arruda uses sandpaper on a copper plate, which is then treated with an aquatint technique to create a graded tonal effect. The areas that are more heavily buffed hold more ink, yielding a darker tone, in subtle contrast to the more lightly sanded areas. Photo by Matthew Avignone
![Lucas Arruda in his studio, 2023](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Master printer Bérengère Lipreau mixes inks for Arruda’s prints. Photo by Matthew Avignone
Master printer Bérengère Lipreau mixes inks for Arruda’s prints. Photo by Matthew Avignone
![Arruda in the print studio](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Arruda examines a trial proof. Photo by Matthew Avignone
Arruda examines a trial proof. Photo by Matthew Avignone
The second print features a pair of abstract rectangles that evoke the haze of shadow and the ethereal glow of light, made by gently rubbing sandpaper over the copper plate.
The composition translates the symbolism of Arruda’s site-specific light projection installations into a printed format.
![Installation view of the exhibition "Lucas Arruda: Assum Preto," at David Zwirner, Paris in 2022](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Installation view, Lucas Arruda: Assum Preto, David Zwirner, Paris, 2022
Installation view, Lucas Arruda: Assum Preto, David Zwirner, Paris, 2022
![Arruda in the studio](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
In Arruda’s abstract image, one rectangle derives from negative space and the other from pigment, together representing an equilibrium between the symbolic and earthly worlds. Photo by Matthew Avignone
In Arruda’s abstract image, one rectangle derives from negative space and the other from pigment, together representing an equilibrium between the symbolic and earthly worlds. Photo by Matthew Avignone
![Detail of a print by Lucas Arruda, titled "Untitled," dated 2023](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Lucas Arruda, Untitled, 2023 (detail)
Lucas Arruda, Untitled, 2023 (detail)
![Detail of a print by Lucas Arruda, titled "Untitled," dated 2023](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Lucas Arruda, Untitled, 2023 (detail)
Lucas Arruda, Untitled, 2023 (detail)
Below the stacked rectangles is a cautionary tale derived from an indigenous Brazilian myth passed down through generations of oral storytelling. Enigmatic and haunting, Untitled orchestrates a precarious equilibrium that thrives in the liminal space between light and darkness, earth and sky, myth and reality.
![Installation view of Lucas Arruda "Untitled"](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Installation view, Lucas Arruda’s Untitled (2023)
Installation view, Lucas Arruda’s Untitled (2023)
Viewing Arruda’s [works] is a powerful, contemplative and, dare one say, luminous experience.
—Nicolas Trembley, Art Critic
![Arruda signs a finished edition](https://assets.davidzwirner.com/v7/_assets_/davidzwirner/common/1px.png)
Arruda signs the finished edition. Photo by Matthew Avignone
Arruda signs the finished edition. Photo by Matthew Avignone