Richard Serra at work on Alameda Street, 1980. Photograph: Ulrich Baatz
Richard Serra at work on Alameda Street, 1980. Photograph: Ulrich Baatz
Richard Serra: Drawings
David Zwirner is pleased to present concurrent exhibitions of new work by American artist Richard Serra at the gallery’s 537 West 20th Street location in New York. On view will be a new sculpture in forged steel, and a new series of drawings by the artist will be presented in the second-floor galleries.
Richard Serra's presentations will be accompanied by a fully-illustrated catalogue, forthcoming from David Zwirner Books.
Image: Installation view, Richard Serra: Drawings, David Zwirner, New York, 2022
Dates
May 4—June 18, 2022
Artist
“The eye is like a muscle.… The more you use it, the better you see. I see most things through drawing. For me it is a way of probing vision. Drawing is essential for me. It is at the core of what I do.”
—Richard Serra
Beat the Devil, 2021
Paintstick, etching ink, and silica on two (2) sheets of handmade paper
39 1/2 x 96 inches (100.3 x 243.8 cm)
Richard Serra has consistently produced drawings throughout his decades-long career. These works defy any metaphoric or emotive reading, instead expressing the notions of time, materiality, weight, and process that characterize Serra’s sculptural practice.
Up the River, 2021
Paintstick, etching ink, and silica on two (2) sheets of handmade paper
39 1/2 x 96 inches (100.3 x 243.8 cm)
“Serra’s sensitivity to the procedural importance of drawing—its central role in transitions from one state to another—reveals a great deal about his inclination to derive criteria and conclusions from far beneath the layer of formal conventions upon which even his own practices stand.”
—James Lawrence
Installation view, Richard Serra: Drawings, David Zwirner, New York, 2022
Installation view, Richard Serra: Drawings, David Zwirner, New York, 2022
The artist has employed black paintstick (compressed oil paint, wax, and pigment) as his preferred medium since 1971. Applied here using a stencil and in broad, dense strokes, the paintstick conveys a strong sense of optical weight, acutely similar to the physical presence of his sculptures.
The Wagons Roll at Night, 2021
Paintstick, etching ink, and silica on handmade paper
48 1/4 x 39 3/4 inches (122.6 x 101 cm)
“We sense the heaviness of Serra’s drawings visually yet not merely as perceptual illusion, for the heaviness is tangible. If only because paintstick is such a dense vehicle for pigment, it links vision to the sense of touch.… We feel—as if by bodily intuition—the force of the applied substance.”
—Richard Shiff
Circle, 1975/2011
Paintstick on Belgian linen
Diameter: 79 inches (200.7 cm)
“Black is a property, not a quality. In terms of weight, black is heavier, creates a denser volume, holds itself in a more compressed field.… It is comparable to forging.… A black shape can hold its space and place to a larger volume and alter the mass of that volume readily.”
—Richard Serra
Chain Lightning, 2021
Paintstick, etching ink, and silica on two (2) sheets of handmade paper
38 1/2 x 78 inches (97.8 x 198.1 cm)
These works play on similar operations—rotations, inversions, and symmetries—employed in much of Serra’s sculptural work going back to his Verb List (1967).
Richard Serra, Clara-Clara, 1983, weathering steel, Two identical conical sections inverted relative to each other, one: 12´ (3.7 m) high x 109´ (33.2 m) along the chord x 2" (5 cm) thick, one: 12´ (3.7 m) high x 107´10" (32.8 cm) along the chord x 2" (5 cm) thick plates 6’ (1.8 m) apart in the middle and 60’ (18.3 m) at either end. Collection City of Paris. Artwork © Richard Serra/Artists Rights Society (ARS), New York. Photograph: Dirk Reinartz.
Richard Serra, Clara-Clara, 1983, weathering steel, Two identical conical sections inverted relative to each other, one: 12´ (3.7 m) high x 109´ (33.2 m) along the chord x 2" (5 cm) thick, one: 12´ (3.7 m) high x 107´10" (32.8 cm) along the chord x 2" (5 cm) thick plates 6’ (1.8 m) apart in the middle and 60’ (18.3 m) at either end. Collection City of Paris. Artwork © Richard Serra/Artists Rights Society (ARS), New York. Photograph: Dirk Reinartz.
Installation view, Richard Serra Drawing: A Retrospective, The Metropolitan Museum of Art, New York, 2011
Installation view, Richard Serra Drawing: A Retrospective, The Metropolitan Museum of Art, New York, 2011
Installation view, Richard Serra Drawing: A Retrospective, The Menil Collection, Houston, 2012
Installation view, Richard Serra Drawing: A Retrospective, The Menil Collection, Houston, 2012
Installation view, Richard Serra Drawings: Work Comes Out of Work, Kunsthaus Bregenz, 2008
Installation view, Richard Serra Drawings: Work Comes Out of Work, Kunsthaus Bregenz, 2008
“My whole drawing practice is involved with repetition, knowing there’s no possibility of repeating, knowing that it’s going to yield something different every time.”
—Richard Serra
The Petrified Forest, 2020
Paintstick, etching ink, and silica on handmade paper
48 1/4 x 39 1/4 inches (122.6 x 99.7 cm)
Drawing in 7 Parts, 2021
Paintstick, etching ink, and silica on handmade paper in seven (7) parts
Framed, each: 40 1/2 x 44 5/8 inches (102.9 x 113.3 cm)
“I have always thought that if I could draw something I would have a structural comprehension of it. I do not draw to depict, illustrate, or diagram existing works. The shapes in paper drawings originate in a glimpse of a volume, a detail, an edge, a weight. Drawing in that sense amounts to an index of structures I have built.”
—Richard Serra
Dark Victory, 2020
Paintstick, etching ink, and silica on handmade paper
48 1/4 x 39 1/2 inches (122.6 x 100.3 cm)
Framed: 53 1/4 x 44 1/2 inches (135.3 x 113 cm)
Framed: 53 1/4 x 44 1/2 inches (135.3 x 113 cm)
Installation view, Richard Serra: Drawings, David Zwirner, New York, 2022
Installation view, Richard Serra: Drawings, David Zwirner, New York, 2022
Inquire about available works by Richard Serra