Installation view, Flavin, Judd, Kawara, LeWitt, Palermo, Ryman, Sandback, Serra., David Zwirner, Los Angeles, 2024
Flavin, Judd, Kawara, LeWitt, Palermo, Ryman, Sandback, Serra.
David Zwirner is pleased to announce a group exhibition of works by Dan Flavin, Donald Judd, On Kawara, Sol LeWitt, Palermo, Robert Ryman, Fred Sandback, and Richard Serra on view at the gallery’s 612 North Western Avenue location in Los Angeles. Featuring key artists from the gallery’s program who were at the avant-garde of the New York art scene of the 1960s and 1970s, this presentation will bring together a selection of abstract and non-representational works that radically reconfigured the possibilities of their mediums in distinct ways. Highly influential to each other as well as their peers in New York and around the world, these artists established minimal, post-minimal, abstract, and conceptual vocabularies whose echoes still permeate the art world today.
Complementing this presentation will be an exhibition of works by John McCracken, on view concurrently in the gallery’s 616 North Western Avenue space. McCracken’s geometric sculptural forms exemplify the distinctly West Coast take on the art coming out of New York during this period. Meticulously crafted from plywood coated with fiberglass and layers of pigmented polyester resin and taken by hand to a high polish, these works embody McCracken’s long-standing investigation of surface, form, color, and the transcendent potential of minimalist abstraction.
Image: Installation view, Flavin, Judd, Kawara, LeWitt, Palermo, Ryman, Sandback, Serra., David Zwirner, Los Angeles, 2024
Dan Flavin
“One might not think of light as a matter of fact, but I do. And it is, as I said, as plain and open and direct an art as you will ever find.”
—Dan Flavin
Dan Flavin installing his solo exhibition fluorescent light, etc. from Dan Flavin, 1969
Installation view, Dan Flavin: the 1964 Green Gallery exhibition, Zwirner & Wirth, New York, 2008
Installation view, "monuments" for V. Tatlin by Dan Flavin, Museum of Contemporary Art, Los Angeles, 1984
Installation view, Dan Flavin: colored fluorescent light, David Zwirner, London, 2023
Donald Judd
“The several limits of painting are no longer present. A work can be as powerful as it can be thought to be. Actual space is intrinsically more powerful and specific than paint on a flat surface.”
—Donald Judd
Donald Judd, 1982 (detail). Photo by Jamie Dearing
Installation view, Judd, Museum of Modern Art, New York, 2020
On Kawara
On On Kawara’s Studio, Thirteenth Street, New York, 1966
Installation view, On Kawara—Silence, Solomon R. Guggenheim Museum, New York, 2015
Installation view, Date Painting(s) in New York and 136 Other Cities, David Zwirner, New York, 2012
Sol LeWitt
“The most interesting characteristic of the cube is that it is relatively uninteresting. Compared to any other three-dimensional form, the cube lacks any aggressive force, implies no motion, and is least emotive. Therefore, it is the best form to use as a basic unit for any more elaborate function, the grammatical device from which the work may proceed.”
—Sol LeWitt, 1982
Sol LeWitt, New York, August 1969. Photo by Jack Robinson/Hulton Archive/Getty Images
Installation view, Sol LeWitt, Dwan Gallery, Los Angeles, 1967
Palermo
Palermo, 1975. Photo by Dietmar Schneider
Palermo, To the People of New York City, 1976. Installation view, Dia:Chelsea, 545 West 22nd Street, New York, 2018. © Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. Photo: Bill Jacobson Studio, New York, courtesy Dia Art Foundation, New York
Installation view, Blinky Palermo: Retrospective 1964-1977, Dia:Beacon, 2011
Installation view, Blinky Palermo: Retrospective 1964–1977, Los Angeles County Museum of Art, 2010. Art © Blinky Palermo/Artists Rights Society (ARS), New York/VG Bild-Kunst, Germany. Photo © Museum Associates/LACMA
Robert Ryman
“There is never a question of what to paint but only how to paint.”
—Robert Ryman
Robert Ryman, 1975. Photo by Christian Bauer
Installation view, Robert Ryman: 1961–1964, David Zwirner, New York, 2023
Fred Sandback
“The four pairs of gray lines are organized on an axis at a right angle to the plane of the three black lines. The three white elements do not have a regular relationship to the other two axes. . . . The pieces which we have discussed are not specific to only one location, but each is responsive to its location, and this conditions each reinstallation.”
—Fred Sandback
Fred Sandback during the installation of Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, 1980
Installation view, Fred Sandback: Vertical Constructions, Westfälischer Kunstverein, Münster, Germany, 1987
Fred Sandback, Untitled (Two-part Construction), 1996. Installation view, Dia Beacon, Beacon, New York. © The Fred Sandback Archive. Photo: Bill Jacobson Studio, New York, courtesy Dia Art Foundation, New York
Richard Serra
“I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.”
—Richard Serra
Installation view, Nine Young Artists: Theodoron Awards, Solomon R. Guggenheim Museum, New York, 1969. Photo by Peter Moore
Installation view, Richard Serra: Early Work, David Zwirner, New York, 2013
Installation view, Flavin, Judd, Kawara, LeWitt, Palermo, Ryman, Sandback, Serra., David Zwirner, Los Angeles, 2024
Installation view, Flavin, Judd, Kawara, LeWitt, Palermo, Ryman, Sandback, Serra, David Zwirner, Los Angeles, 2024
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