Installation view, Carol Bove and John Chamberlain: Converse, San Francisco Museum of Modern Art, 2019
This new work from Carol Bove (b. 1971) is part of her ongoing series of “collage sculptures,” composed of crushed and manipulated steel tubing, scrap metal, and, often, a smooth steel disk. The works push the limits of steel’s physicality—and test our perceptions of material.
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“I went to a Louise Nevelson exhibition several years ago at the de Young Museum. They had tons of the black work, white work, and a bunch of gold work... but the black work is a completely different thing. It’s not wood anymore. It’s a paranormal object, from a different dimension, a mental object. I noticed then how paint can create the illusion of material transformation. It has a little to do with the matte-ness, but there’s also something about the color.” —Carol Bove
Installation view, 57th Venice Biennale: Women of Venice, Swiss Pavilion, Venice, 2017
Installation view, 58th Venice Biennale: May You Live in Interesting Times, Arsenale, Venice, 2019
Installation view, 58th Venice Biennale: May You Live in Interesting Times, Central Pavilion, Venice, 2019
Installation view, Carol Bove: Polka Dots, David Zwirner, New York, 2016
Carol Bove, Tragic Deviousness, 2020 (detail)
please get in touch.