Zycles is the first series by Ruff that does not take its point of departure in pre-existing imagery. In a further departure from the cameraless Substrate (Substratum) series (2001– ), which was based on online anime and manga illustrations, these large-scale works are entirely computer generated. To create his compositions, Ruff worked with three-dimensional rendering software and a series of algorithms based on cycloids, the mathematical name for a specific kind of curve created by a point on a circle rolling along a straight line. Each work features abstract arrangements of overlapping lines, some curved and swirly, others mostly straight. A sense of perspective is offered as some of them appear more clearly defined, as if in the foreground.
While they do not resemble figurative objects, these works are visualizations of geometric calculations. As such, they form part of Ruff’s ongoing exploration of the vast possibilities of digital imaging. Advanced software is not only able to simulate reality in a way that often surpasses photography, but also present virtual realms and mathematical concepts.
Not intentionally aesthetic, Ruff realized how the delicate traceries were suggestive of minimalist drawings. The spiralling formations, always faithful to their mathematical origins, evoke a multitude of forms: the trajectories of planets, cascading ribbons, line drawings, and musical vibrations.
