About Bridget Riley: Selected Writings 1999–2016
Publisher: Ridinghouse
Publication Date: 2017
Edited by Doro Globus and Karsten Schubert
The present volume includes the vast majority of significant essays on Bridget Riley written since 1999. This was a particularly fruitful period in the reception of her work, as the discourse broadened and her reputation as one of the most important painters of her generation solidified.
The essays range from biographical and career overviews to detailed analysis of specific aspects or themes that occur throughout Riley’s career. The selection reflects a rich body of work, which sustains the interest of important authors, as evidenced by multiple pieces by Éric de Chassey, Lynne Cooke, Robert Kudielka, Paul Moorhouse, and Richard Shiff. Together, this volume of essays tells the story of an artist whose art has continuously evolved over nearly six decades.
Most of the critical texts have been written in close consultation with the artist, the result of long conversations, studio visits and archive access. Largely commissioned on the occasion of particular exhibitions, these essays track and trace Riley’s focus and influences at different moments in time. Each essay builds upon the next, with more recent authors clearly responding and referencing earlier discourse. The result is a collection of great breadth and cohesion.
An important resource, About Bridget Riley represents a monumental body of research and analysis by some of the most important art historians of today. It also offers the opportunity for the reader and the viewer to approach Riley from a plethora of perspectives to form their own view, much reflecting Riley’s own particular approach to art history. As John Elderfield puts it: "Effectively, Riley makes a pact with the viewer, through the medium of the painting, that they will collaborate in eliciting from a particular painting a particular sort of mobile visual array. And, when the viewer stops looking at the painting, it will therefore be as if leaving something that continues to go on."
Texts by Michael Bracewell, Nadia Chalbi, Eric de Chassey, Lynne Cooke, Jonathan Crary, John Elderfield, Lucius Grisebach, Martin Hentschel, Dave Hickey, Robert Kudielka, Anne Montfort, Paul Moorhouse, Marla Prather, Karen Serres, Richard Shiff, Frances Spalding, Barnaby Wright and Semir Zeki
Details
Publisher: Ridinghouse
Artist: Bridget Riley
Contributors: Doro Globus, Karsten Schubert
Publication Date: 2017
ISBN: 9781909932296
Retail: $35 | £25
Status: Not Available
Binding: Softcover
Dimensions: 5 3/4 x 9 in | 14.6 x 22.9 cm
Pages: 600
Reproductions: 100 color
Artist and Contributors
Bridget Riley
Since 1961, Bridget Riley (b. 1931) has focused exclusively on seemingly simple geometric forms, such as lines, circles, curves, and squares, arrayed across a surface—whether a canvas, a wall, or paper—according to an internal logic. The resulting compositions actively engage the viewer, at times triggering sensations of vibration and movement.
Doro Globus
Doro Globus is a writer, editor, and publisher specializing in creative culture, with a focus on arts publishing. Her first book, Making a Great Exhibition, is a fun inside look at the life of an artwork, from studio to exhibition. A passionate advocate for sharing creativity, Globus has dedicated her career to telling stories of artists and writers. She is Associate Publisher of David Zwirner Books and has worked in arts publishing for nearly twenty years. She has written about artists and art historians including Dawn Ades, Michael Bracewell, Fred Wilson, and Bridget Riley.
Karsten Schubert
$35