’s (b. 1968) atmospheric and enigmatic paintings investigate the intersection of desire, identity, and representation. Portraying characters from a range of aesthetic and cultural sources through a kaleidoscopic visual mode that bridges abstraction and figuration, his works serve as sites for journeys of creative transformation. Born in Manchester, England, Ofili received his BFA from the Chelsea School of Art, London, in 1991 and his MFA from the Royal College of Art, London, in 1993. He has been working with David Zwirner since 2005.

, a major site-specific mural by Ofili, was unveiled at Tate Britain, London, and will remain on long-term view. In 2022, the Wallach Art Gallery, Columbia University, New York, presented 

, in conjunction with a yearlong festival centered on Duke Ellington and Billy Strayhorn’s Shakespeare-inspired jazz piece. In 2017, the National Gallery, London, presented 

, which marked the first time the artist had worked in the medium of tapestry. In 2012, Ofili designed sets and costumes for 

, a collaborative interdisciplinary project organized with The Royal Ballet in London. The artist’s first major solo museum exhibition in the United States, 

 (2014–2015), was held at the New Museum, New York, and subsequently traveled to the Aspen Art Museum in Colorado.

Other monographic exhibitions have taken place at the Arts Club of Chicago (2010); Tate Britain, London (2005 and 2010); Kestner Gesellschaft, Hanover, Germany (2006); and The Studio Museum in Harlem, New York (2005). In 2015, Ofili’s work was included in 

, the International Art Exhibition of the 56th Venice Biennale, curated by Okwui Enwezor; and Ofili represented Britain at the British Pavilion, 50th Venice Biennale (2003). In 2017, Ofili was a recipient of Commander of the Most Excellent Order of the British Empire (CBE), and in 1998, he was awarded the prestigious Turner Prize.

The artist’s works are represented in prominent institutional collections worldwide, including The British Museum, London; The Broad, Los Angeles; Carnegie Museum of Art, Pittsburgh; Centre national des arts plastiques, Puteaux, France; The Dakis Joannou Collection, Athens; Dallas Museum of Art; Fortress House Museum, Gibraltar; Glenstone Museum, Potomac, Maryland; Hammer Museum, Los Angeles; Institute of Contemporary Art, Miami; The Metropolitan Museum of Art, New York; Museu Coleção Berardo, Lisbon; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Art, Washington, DC; National Gallery of Canada, Ottawa; National Portrait Gallery, London; Pérez Art Museum Miami; Royal College of Art, London; Rubell Museum, Miami; Saastamoinen Foundation Art Collection, Helsinki; San Francisco Museum of Modern Art; The Studio Museum in Harlem, New York; Tate, United Kingdom; Victoria and Albert Museum, London; Walker Art Center, Minneapolis; and Zeitz Museum of Contemporary Art, Cape Town.

Portrait of Chris Ofili, 2017. Photo by Carlos Arias

Katherine Brinson

Massimiliano Gioni is Artistic Director of the New Museum.

Massimiliano Gioni

Karen Marta

Edited by Karen Marta and Massimiliano Gioni. Text by Katherine Brinson.

Since the mid-1990s, Chris Ofili's painstakingly crafted paintings and sculptures have dazzled—and often distressed—viewers with a fusion of opposing forces: sacred meets profane, formal bows to demotic, and exalted bleeds into vulgar. Paintings of rare beauty are propped on elephant dung; deities squat to defecate; and lovers embrace and yet are forcibly bound.

 series is authored by Katherine Brinson, Curator of Contemporary Art at the Solomon R. Guggenheim Museum in New York, where she curated the museum's 2013 Christopher Wool retrospective and also organizes the Hugo Boss Prize, a biennial award honoring significant achievement in contemporary art.

Chris Ofili: 2000 Words

Chris Ofili: 2000 Words | Books

David Zwirner is an art gallery with locations in New York, Los Angeles, London, Paris and Hong Kong. We present physical and online exhibitions, podcasts, books, and more.