Dan Flavin: The 1964 Green Gallery Exhibition
Publisher: Steidl / Zwirner & Wirth
Publication Date: 2008
Text by Jeffrey Weiss
This publication documents a 2008 exhibition held at Zwirner & Wirth in which the gallery restaged the seminal exhibition of Dan Flavin’s fluorescent light sculptures that took place in 1964 at Richard Bellamy’s influential Green Gallery on West 57th Street, New York (dan flavin: fluorescent light, November 18 – December 12, 1964).
The Green Gallery exhibition was groundbreaking not only in terms of its presentation of radically innovative work that used commercially-available, colored fluorescent light, but also because it marked a turning-point in Flavin’s career. While the artist had previously exhibited a series of hand-made, painted wood constructions with lighting elements affixed to them (known as the “icons”), he began creating works made with fluorescent light alone in 1963. The Green Gallery show was the first exhibition composed entirely of fluorescent lights, and thus marked the development of the minimalist language of illumination that would characterize Flavin’s work until his death in 1996.
This catalogue includes 13 plates and features an essay by scholar and curator Jeffrey Weiss; statements by Sonja Flavin, Dan Graham, Dorothea Rockburne, Barbara Rose, James Rosenquist, and Brydon Smith; excerpts from Flavin’s journals; and archival photographs and reviews of the original Green Gallery exhibition.
Details
Publisher: Steidl / Zwirner & Wirth
Artist: Dan Flavin
Contributors: Jeffrey Weiss
Publication Date: 2008
ISBN: 9783865216793
Retail: $45 US & Canada | £28 | €38
Status: Not Available
Binding: Hardcover
Dimensions: 9 x 10 1/4 in (22.9 x 26 cm)
Pages: 72
Reproductions: 24 color, 18 b&w
Artist and Contributors
Dan Flavin
From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi)—a single gold fluorescent lamp installed diagonally on a wall—until his death in 1996, Dan Flavin (b. produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or "situations," as he preferred to call them) of light and color. Through these light constructions, Flavin was able to at once establish and redefine space.
Jeffrey Weiss
Jeffrey Weiss is senior curator at the Guggenheim museum. He joined the museum in 2010 as curator of the Panza Collection. Weiss holds a Ph.D. from the Institute of Fine Arts, New York. From 2000 to 2007, he was Curator and Head of Modern and Contemporary Art at the National Gallery of Art in Washington, D.C. In 2007–08, he served as Director of the Dia Art Foundation, but left to return to academic and curatorial work. Since that time he has also been Adjunct Professor of Fine Art at the Institute of Fine Arts, a position he currently retains. At the National Gallery, Weiss organized exhibitions concerning the work of Jasper Johns, Pablo Picasso, and Mark Rothko. He also greatly expanded the museum’s holdings in art of the 1960s and 1970s. Widely published in various periodicals on modern and postwar art, Weiss’s writings are regularly featured in Artforum. In 2006, he edited Dan Flavin: New Light, an anthology of essays from Yale University Press.
$45