Gordon Matta-Clark & Pope.L: Impossible Failures
Publisher: David Zwirner Books/52 Walker
Publication Date: 2024
Curator’s note by Ebony L. Haynes. Conversation between Pope.L, Hamza Walker, and Ebony L. Haynes. Texts by Gordon Matta-Clark
A joining of two artists, exploring their shared fixation on the problematics of architecture, language, institutions, scale, and value
“[The exhibition is] powerful and unhinged and overbuilt—a monument to the entropy of the postindustrial city, and the tenuous dance of its inhabitants.” —The New York Times
Gordon Matta-Clark and Pope.L are esteemed for their respective interdisciplinary practices that examine the value and paradoxes of urban life as well as the risk inherent in art making. Utilizing performance, film, drawing, and various multimedia projects, the two artists often open up interstitial spaces by realizing sweeping gestures that take into account shifting, decentralized zones. Grounded in the concept of failure, the sixth exhibition at 52 Walker and its accompanying catalogue reconsider societal, artistic, and structural failure—and its related expressions of hope. With an introduction by the curator and director of 52 Walker, Ebony L. Haynes, this publication also includes a conversation between Haynes, Pope.L, and the director of LAXART, Hamza Walker, where they discuss the visual, material, and conceptual similarities between Pope.L’s and Matta-Clark’s work and what it means to treat the possibilities of failure as an artistic medium. Writings by Matta-Clark related to works in the exhibition highlight his interest in working with the void as material.
Details
Publisher: David Zwirner Books/52 Walker
Artist: Gordon Matta-Clark
Contributors: Clarion, Ebony L. Haynes, Pope.L, Hamza Walker
Publication Date: 2024
ISBN: 9781644231258
Retail: $35 | $47 CAN | £25
Designer: Series design by Andrea Hyde; Layout by Bonnie Briant
Printer: VeronaLibri, Verona
Binding: Hardcover
Dimensions: 6.5 × 9.25 in | 16.5 × 23.2 cm
Pages: 104
Reproductions: 59 illustrations
Artist and Contributors
Gordon Matta-Clark
A central figure of the downtown New York art scene in the 1970s, Gordon Matta-Clark (1943–1978) pioneered a radical approach to art making that directly engaged the urban environment and the communities within it, including large-scale architectural interventions in which he physically cut through buildings slated for demolition. His work transcended the genres of performance, conceptual, process, and land art, and made him one of the most innovative and influential artists of his generation.
Clarion
The Clarion series of illustrated publications is positioned as an extension of each exhibition at the groundbreaking gallery space 52 Walker, curated by Ebony L. Haynes. The program focuses on showcasing conceptual and research-based artists from a range of backgrounds and at various stages in their careers. The series title is derived from the Clarion Science Fiction and Fantasy Writers’ Workshop, the oldest of its kind, at the University of California, San Diego. Octavia Butler attended this workshop in the 1970s. Butler’s writing has been influential in the conceptual framework of the program and the Clarion series. With a sleek design influenced by encyclopedias, each publication features color reproductions of the works on view, alongside an introduction by Haynes, commissioned essays, artist texts, archival materials, and more.
Ebony L. Haynes
Ebony L. Haynes is a writer and curator from Toronto. She is based in New York, where she is a senior director at David Zwirner and curator of 52 Walker.
Pope.L
Pope.L (b. 1955) was born in Newark, New Jersey, and resides and works in Chicago. He received his BA from Montclair State College, New Jersey, in 1978, and also attended the prestigious Whitney Museum Independent Study Program, New York, from 1977 to 1978. In 1981 the artist received his MFA from the Mason Gross School at Rutgers University, New Brunswick, New Jersey, and later participated in the Mabou Mines Re.Cher.Chez Theater Intensive from 1983 to 1985 in New York. The artist has been distinguished by a multitude of grants and awards, including a Guggenheim Fellowship (2004), the United States Artists Rockefeller Fellowship (2006), and the Bucksbaum Award (2017).
Hamza Walker
Hamza Walker is director of LAXART, an independent nonprofit art space in Los Angeles. From 1994 to 2016, he was a curator and the director of education at the Renaissance Society at the University of Chicago. He has contributed to Parkett, Artforum, and numerous catalogues. He is the recipient of the 1999 Norton Curatorial Grant and the 2004 Walter Hopps Award for Curatorial Achievement. In 2010 he was awarded the Ordway Prize for contributions to the field in the form of writing and exhibitions.
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