Seven Rooms

Juan Muñoz: Seven Rooms

Publisher: David Zwirner Books

Publication Date: 2023

Foreword by Vicente Todolí. Texts by Siri Hustvedt, Guillaume Kientz, and Juan Muñoz. Interview with the artist by Michael Brenson. Contribution by Maurizio Cattelan

A comprehensive look into the fascinating life and enduring legacy of Juan Muñoz and his enigmatic installations  “Walking between these figures feels like an interruption; being a spectator is itself a performance. They seem to know more than we do, about the status of being an artwork and the place of the viewer. The joke, if there is one, is on us.” —The Guardian  Muñoz’s revolutionary oeuvre evokes emotional narratives through sculpture, installation, drawing, writing, and sound. Situating viewers between his work and among one another, he creates an intimacy between art and its audience. Muñoz thought deeply about art history and, in particular, the tradition of Spanish painting. Before his untimely death at the age of forty-eight, he produced an extensive, powerfully evocative body of work that uniquely explores the narrative and philosophical possibilities of art.  Published on the occasion of the exhibition at David Zwirner, New York, in 2022, this catalogue provides an expansive overview of Muñoz’s career from the 1980s onward. In an accompanying text, the art historian and curator Guillaume Kientz contextualizes Muñoz’s influences within the art-historical canon. The acclaimed writer Siri Hustvedt contributes a thoughtful response to the artist’s iconic Conversation Piece. In an imagined interview between Muñoz and himself, Maurizio Cattelan further propels the artist’s momentum and potential in the time before his death. Also featured is a never-before-published interview between Muñoz and the art historian Michael Brenson that took place in 2000.

Seven Rooms
Seven Rooms
Seven Rooms
Seven Rooms
Seven Rooms
Seven Rooms
Seven Rooms
Seven Rooms
Seven Rooms
Seven Rooms

Details

Publisher: David Zwirner Books

Artist: Juan Muñoz

Contributors: Michael Brenson, Maurizio Cattelan, Siri Hustvedt, Guillaume Kientz, Vicente Todolí

Publication Date: 2023

ISBN: 9781644230893

Retail: $65 | £55

Status: Available

Designer: Practise

Printer: VeronaLibri, Verona

Binding: Hardcover

Dimensions: 8.5 × 10.5 in | 21.6 × 26.7 cm

Pages: 192

Reproductions: 82 illustrations

Artist and Contributors

Juan Muñoz

Juan Muñoz (1953–2001) was among the most significant artists to rise to international prominence in the mid-1980s and 1990s. In his formally inventive works, which range from isolated architectural elements that suggest a human presence to evocative large-scale installations comprising figures arranged in groups, Muñoz sought to foreground the relationship between the art object, architectural space, and the viewer.

Michael Brenson

Michael Brenson is an art critic and art historian. He is the artistic director of the Jonathan and Barbara Silver Foundation. He was an art critic for The New York Times from 1982–1991. He is a Getty Scholar, Guggenheim Fellow and Clark Fellow, and the recipient of a Whiting Creative Nonfiction Grant.

Maurizio Cattelan

Maurizio Cattelan (b. 1960) is one of the most prominent Italian artists in the world. Over a thirty-year career, his works have highlighted the paradoxes of society and reflect on political and cultural scenarios with great depth and insight. By using iconic images and a caustic visual language, his works spark heated public debate fostering a sense of collective participation.

Siri Hustvedt

Guillaume Kientz

Guillaume Kientz is an art historian and curator, and currently serves as CEO and director of the Hispanic Society Museum and Library. At the Louvre, where he served as a curator in the Department of Paintings for eight years, Kientz developed the revered exhibition Le Mexique au Louvre (2013), bringing Mexican masterpieces to the spotlight for the first time in the institution’s history.

Vicente Todolí

Vicente Todolí is a Spanish museum director and curator. He is artistic director of Pirelli HangarBicocca, Milan. From 2003 until 2010, he was the director of Tate Modern, where he curated the exhibition Sigmar Polke: History of Everything (2003), with the close involvement of Sigmar Polke.

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