is one of the most important painters of his generation. His first major museum presentations were held in 1990 at the Provinciaal Museum voor Moderne Kunst, Ostend, Belgium, and the Vereniging voor het Museum van Hedendaagse Kunst, Ghent. In 1992, the artist participated in Documenta IX in Kassel, in addition to having a solo exhibition at Kunsthalle Bern, which helped cement his growing reputation in Europe. In 1994,

 debuted at Portikus, Frankfurt, and traveled to David Zwirner, New York; the Art Gallery of York University, Toronto; The Renaissance Society at the University of Chicago; the Institute of Contemporary Arts, London; and Goldie Paley Gallery, Moore College of Art & Design, Philadelphia, establishing him as a major influential artist abroad. In 2001, the artist represented Belgium at the Venice Biennale to great acclaim. Tuymans lives and works in Antwerp.

One of the first artists to be represented by David Zwirner, Tuymans has had numerous solo exhibitions at the gallery since joining its roster in 1994. In May 2023, David Zwirner presented 

, a solo exhibition of Tuymans’s work, at the gallery’s 533 West 19th Street location in New York. This was the artist’s seventeenth show with the gallery and his first solo presentation in the United States since 2016. Previous shows at David Zwirner include 

Francis Picabia and Luc Tuymans: Paintings

Tuymans has been featured in numerous solo exhibitions at prestigious institutions worldwide. An in-situ temporary mural by the artist, 

, will be on view at the Rotunda Valentin de Boulogne in the Musée du Louvre, Paris, starting on May 22, 2024. In November 2024, the UCCA Center for Contemporary Art, Beijing, will present 

, a major exhibition of the artist's work. Other solo presentations include those held at Palazzo Grassi, Venice (2019); De Pont Museum, Tilburg, The Netherlands (2019); Museum aan de Stroom (MAS), Antwerp (2016), which traveled to the National Portrait Gallery, London (2016); Qatar Museums Gallery – Al Riwaq, Doha (2015); Menil Collection, Houston (2013); the Wexner Center for the Arts, Columbus, Ohio (2009), which traveled to San Francisco Museum of Modern Art, Dallas Museum of Art, Museum of Contemporary Art Chicago, and BOZAR – Palais des Beaux-Arts, Brussels; and Tate Modern, London (2004), which traveled to K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf.

The artist has received numerous awards and honors, including the Medal of Honor, International Congress of Contemporary Painting (ICOCEP), Porto, Portugal (2019); the Coutts Contemporary Art Foundation Award, Zurich (2000); and the Flemish Culture Award for Visual Arts (1993). His works are featured in museum collections worldwide, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; Fondazione Prada, Milan; Los Angeles County Museum of Art; The Museum of Modern Art, New York; National Gallery of Art, Washington, DC; The National Museum of Art, Osaka; Pinakothek der Moderne, Munich; Pinault Collection; Solomon R. Guggenheim Museum, New York; San Francisco Museum of Modern Art; and Tate, United Kingdom.

Tuymans’s catalogue raisonné of paintings, from 1972 to 2018, is available from David Zwirner Books and Yale University Press. The three volumes feature full-color images and documentation of more than five hundred paintings.

Luc Tuymans in his studio, 2022. Photo by Otman Q

Edited by Pablo Sigg and Tommy Simoens. Texts by Luc Tuymans, Pablo Sigg, Tommy Simoens, and Gerrit Vermeiren

Produced in close collaboration with the artist, this volume presents more than 100 paintings produced between 2004 and 2008. Beginning with 

, Luc Tuymans produced a landmark suite of seven thematically linked bodies of work. With a visual narrative that traces the philosophical and psychic roots of contemporary civilization, the series interweave a range of sources — from St. Peter’s Basilica to Disneyland to the 

 house — that together tell the banal and terrifying story of our times. Also included are photographs, preparatory drawings, watercolors, and installation views, all in full color.

Introducing each body of work is a text written by the artist. ‘Proper,’ an essay by Belgian art historian Gerrit Vermeiren, looks at one body of work in detail, tracing the themes of each painting and capturing the cultural atmosphere of the moment in which they were produced. ‘Tuymans, Loyola, Leibniz,’ specially commissioned from Pablo Sigg, an artist and writer based in Mexico, provides historical and philosophical context. An extensive interview by Belgian artist Tommy Simoens offers further insight into Tuymans’s thinking and motivations.

Luc Tuymans: Is It Safe?

Luc Tuymans: Is It Safe? | Books

David Zwirner is an art gallery with locations in New York, Los Angeles, London, Paris and Hong Kong. We present physical and online exhibitions, podcasts, books, and more.