Since rising to prominence in the late 1990s, 

 (b. 1974) has developed an immediately recognizable visual language that investigates human action and motivation, as well as the blurred relationship between the real and the subconscious. Drawing equally from folk vernacular as from art-historical and contemporary influences, Dzama’s work visualizes a universe of childhood fantasies and otherworldly fairy tales.

Dzama was born in Winnipeg, Canada, where he received his BFA in 1997 from the University of Manitoba. Since 1998, his work has been represented by David Zwirner. The artist has had fourteen solo exhibitions with the gallery, including 

 which was his ﬁrst presentation at the London location in 2013 and was accompanied by a fully illustrated catalogue co-published by Hatje Cantz, with an essay by Deborah Solomon. In 2014, David Zwirner presented a solo exhibition of Dzama’s work at the gallery in New York, which marked the United States debut of his film 

Une danse des bouffons (A jester’s dance)

. In 2016, the gallery held two exhibitions in New York and London dedicated to the collaborative works by Dzama and Raymond Pettibon. 

, which marked the artist’s first solo presentation in Greater China, was on view at the Hong Kong gallery in 2019. In 2020, David Zwirner Online presented 

, an online exhibition of Dzama’s work, and in July of the same year, 

 was featured at the gallery's Paris location. In 2021, 

 was presented at the gallery’s 69th Street location in New York and in 2022, David Zwirner, London, presented 

Dzama has exhibited widely throughout the United States and abroad. In 2022, a solo presentation of the artist's work, 

Marcel Dzama: Viviendo en el limbo y soñando con el paraíso

 was on view at the Museo de Arte de Zapopan (MAZ), Mexico. 

was on view in 2021 at the Savannah College of Art and Design Museum of Art, Georgia. Also in 2021, the Sara Hildén Art Museum in Tampere, Finland presented an exhibition of the artist’s work entitled 

 a film and performance commissioned by Performa as part of 

 was presented at Galería Helga de Alvear in Madrid and 

 was shown at University of Michigan Museum of Art in Ann Arbor, Michigan. In 2017, La Casa Encendida in Madrid exhibited 

Une danse des bouffons (or A jester’s dance)

 was presented alongside related two- and three-dimensional work at the World Chess Hall of Fame in St. Louis. In 2010, a major survey of the artist's work was held at the Musée d’art contemporain de Montréal.

Other solo exhibitions include those organized by Kunstmuseum Thun, Switzerland (2014); Galería Helga de Alvear, Madrid (2013); Centro de Arte Contemporáneo de Málaga, Spain; Museo de Arte de Zapopan (MAZ), Mexico; World Chess Hall of Fame and Museum, St. Louis (all 2012); Gemeentemuseum, The Hague; Kunstverein Braunschweig, Germany (both 2011); Pinakothek der Moderne, Munich (2008); Ikon Gallery, Birmingham, England (2006); and Le Magasin – Centre National d’Art Contemporain de Grenoble, France (2005).

In 2021, MTA Arts & Design unveiled a commissioned mosaic by the artist, 

, that is permanently on view at the Bedford Avenue Station in Brooklyn, New York.

In 2016, the artist created the costume and stage design for New York City Ballet’s 

, a performance based on Hans Christian Andersen’s fairy tale. Coinciding with the performance, Dzama also created an installation in the Promenade of the David H. Koch Theater as part of the New York City Ballet Art Series, titled 

The tension around which history is built

Work by the artist is held in museum collections worldwide, including the Dallas Museum of Art; Musée d’art contemporain de Montréal; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, New York; Tate, United Kingdom; and the Vancouver Art Gallery. Dzama lives and works in Brooklyn, New York.

Laila Pedro is an editor, writer, scholar, and translator born in Havana and based in New York. She serves as editorial director of The Shed and was previously the managed editor at 

, among other publications. Pedro is currently at work on a book about the artistic and literary connections between Cuba, France, and the Francophone Caribbean.

Laila Pedro

 from David Zwirner Books features new work by a leading contemporary artist. Available in both English-only and bilingual English/traditional Chinese editions, this series makes the work of these important artists accessible to a wider audience.

Spotlight Series

Lying deep within the urban metropolis of Hong Kong, Happy Valley is one of the most iconic racecourses in the world. It is also the chief source of inspiration for a new body of work by American artist Marcel Dzama.

Jockeys ride through waves and cathedrals, Chinese symbols pulled from racing paraphernalia adorn the edges of paper, and bats swoop, hunting for prey. Dzama’s distinct visions of the racetrack come alive through a series of large-scale paintings and drawings, transposing imagery from his prolific oeuvre into this adrenaline-filled sporting arena. His new works reflect on the culture of horseracing and how the track has become not only a symbol of sport, but also of commerce, class, and wealth.

The publication includes a conversation between Dzama and Laila Pedro. Published on the occasion of his solo exhibition at David Zwirner, Hong Kong in 2019, 

Marcel Dzama: Crossing the Line

Marcel Dzama: Crossing the Line | Books

David Zwirner is an art gallery with locations in New York, Los Angeles, London, Paris and Hong Kong. We present physical and online exhibitions, podcasts, books, and more.