Marlene Dumas: Sweet Nothings

Notes and Texts 1982–2014

Publisher: D.A.P. / Walther Konig, Koln

Publication Date: 2015

Text by Marlene Dumas. Edited by Mariska Van Den Berg

From the beginning, language has played an important role in the work of Marlene Dumas. Her earliest collages make use of text, and she often writes poetical monikers or captions directly onto her drawings, such as “The Eyes of the Night Creatures” or “Miss Interpreted.” Over the last 30 years, the artist has written texts ranging from aphorisms, statements and short poetic pieces to longer analytical essays. Her writing focuses on her own work, discussing its subject matter, its politics, background and source material, as well as its critical reception and her own cultural position as an artist. “I am always ‘not from here,” she writes in one text (a poem), “even though I try to know or understand ‘what’s going on’ and what the rules are and how they keep on changing and what that means. When looking at images I’m not lost, but I’m uneasy.”

Sweet Nothings, originally published in a long out-of-print (and rare) Dutch edition in 1998 and now revised and expanded, provides a selection of her best and most representative writings from 1982–2014.

Details

Publisher: D.A.P. / Walther Konig, Koln

Artist: Marlene Dumas

Contributors: Marlene Dumas, Mariska Van Den Berg

Publication Date: 2015

ISBN: 9781938922831

Retail: $27.50 US & Canada | £20 | €24

Status: Not Available

Binding: Softcover

Dimensions: 7 1/2 x 8 in (19.1 x 20.3 cm)

Pages: 256

Reproductions: 35 b&w

Artist and Contributors

Marlene Dumas

Marlene Dumas (b. 1953) is regarded as one of the most influential painters working today. Her paintings and drawings, often devoted to depictions of the human form, are typically culled from the artist’s vast archive of images, including art historical materials, mass media sources, and personal snapshots of friends and family. Gestural, fluid, and frequently spectral, Dumas’s works reframe and re-contextualize her subjects, exploring the boundaries between public and private selves.

Marlene Dumas

Since the late 1970s and early 1980s, Marlene Dumas’s (b. 1953) work has been prominently featured in solo and group exhibitions around the world. In 2008, a critically acclaimed retrospective, Marlene Dumas: Measuring Your Own Grave, was organized by the Museum of Contemporary Art, Los Angeles, in association with The Museum of Modern Art, New York, which also toured to The Melin Collection, Houston, in 2009. In 2014, the Stedelijk Museum in Amsterdam presented Marlene Dumas: The Image as Burden, which traveled to Tate Modern, London, and Fondation Beyeler, Basel, in 2015. Opening in September 2018, the artist has curated an exhibition of her work alongside that of Edvard Munch and René Daniëls at the Munch Museum in Oslo.

Mariska Van Den Berg

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