New Texts (ekphrasis)

César Aira was born in Coronel Pringles, Argentina in 1949, and has lived in Buenos Aires since 1967. He taught at the University of Buenos Aires and at the University of Rosario, and has translated and edited books from different languages. Perhaps one of the most prolific writers in Argentina, and certainly one of the most talked about in Latin America, Aira has published more than 120 books. Rights of his books have been sold to almost 30 countries. One novel, La prueba (1992), has been made into a feature film, and How I Became a Nun (1993) was chosen as one of Argentina’s ten best books. Besides essays and novels Aira writes regularly for the Spanish newspaper El País. In 1996 he received a Guggenheim scholarship, in 2002 he was shortlisted for the Rómulo Gallegos prize, in 2015 he was shortlisted for the Man Booker International Prize, and in 2016 he was Guest of Honour at the International Literary Festival Berlin and was awarded the Premio Iberoamericano de Narrativa Manuel Rojas.

Michael Glover is a London-based poet and art critic, and poetry editor of The Tablet. He has written regularly for The Economist, Financial Times, Independent, New Statesman, and The Times. He has also been a London correspondent for ARTnews. His latest books include Great Works: Encounters with Art (2016), Hypothetical May Morning (2018), Late Days (2018), The Book of Extremities (2019), Neo Rauch (2019), and Thrust: A Spasmodic Pictorial History of the Codpiece (2019).

David Levi Strauss is the author of Co-Illusion: Dispatches from the End of Communication (2020), Words Not Spent Today Buy Smaller Images Tomorrow: Essays on the Present and Future of Photography (2014), From Head to Hand: Art and the Manual (2010), Between the Eyes: Essays on Photography and Politics, with an introduction by John Berger (2003/2012), and Between Dog & Wolf: Essays on Art and Politics (1999). To Dare Imagining: Rojava Revolution, edited by Strauss, Dilar Dirik, Michael Taussig, and Peter Lamborn Wilson, was published by Autonomedia in 2016. Strauss was a Guggenheim fellow in 2003, and received the Infinity Award for Writing from the International Center of Photography in 2007. He is chair of the graduate program in art writing at the School of Visual Arts in New York.

Alexander Nemerov is department chair and the Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities at Stanford University. Prior to joining Stanford, he was a professor of art history and American studies at Yale University. He has published several books and articles pertaining to the culture of American art dating from the eighteenth century to the 1970s. His writing often analyzes fiction and poetry alongside works of visual art.

Donald Shambroom is a visual artist, writer, curator, and videographer whose work is in the collections of the Museum of Fine Arts, Boston and the Metropolitan Museum of Art, New York. In 1973, after graduating from Yale University where he studied philosophy and painting, Shambroom moved to Boston to pursue his career as a painter. Shambroom’s interest in Marcel Duchamp began in 1969, when he read Calvin Tomkins’s The World of Marcel Duchamp in highschool. His essays have appeared in Weltkunst (Duchamp’s Last Readymade, 2014), CFile (A Urinal Called Fountain, 2017), and Tout-Fait (Marcel Duchamp and Glass, 1999 and Leonardo’s Optics Through the Eyes of Duchamp: A Note on the Small Glass, 2000). He produced “Common Screech Owl, a Miller’s River Story” (2013), a multi-media natural history installation, and “The Garnet Cabinet” (2012), a meditation on crystal structure. Shambroom’s work has been shown at Francis Naumann gallery and Half Gallery in New York, and at Howard Yezerski Gallery in Boston. For the past decade, he has lived and worked on the banks of the Millers River in north central Massachusetts.

Cynthia Zarin is the author of five books of poetry, most recently, Orbit(2017), as well as five books for children and a collection of essays, An Enlarged Heart: A Per­sonal History(2013). Her honors and awards include a Guggenheim Fellowship for Literature, the Ingram Merrill Award, and the Los Angeles Times Book Prize for Poetry. A longtime contributor to The New Yorker, Zarin teaches at Yale University.

Dedicated to publishing rare, out-of-print, and newly commissioned texts as accessible paperback volumes the ekphrasis series is part of David Zwirner Books’s ongoing effort to publish new and surprising pieces of writing on visual culture.

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