A painting by On Kawara, titled MAY 11, 1967, dated 1967.

 (29,771 days) created paintings, drawings, books, and recordings that examined chronological time and its function as a measure of human existence. The artist began making his now signature “Date Paintings” on January 4, 1966 in New York City and continued to make them in different parts of the world until 2013.

Since 1999, Kawara's work has been represented by David Zwirner. Solo exhibitions at the gallery include 

Reading One Million Years (Past and Future)

On Kawara: Date Painting(s) in New York and 136 Other Cities

 marked his fifth solo exhibition at the gallery in New York, which presented over 150 Date Paintings selected by the artist. The show was accompanied by an eponymous, fully illustrated catalogue published by Ludion.

The artist started exhibiting in Tokyo in the early 1950s and his works have been included in numerous conceptual art surveys from the seminal 

 show at The Museum of Modern Art, New York, in 1970 to 

1965-1975: Reconsidering the Object of Art

 at the Museum of Contemporary Art, Los Angeles, in 1995. Important early solo shows include 

On Kawara, 1973 - Produktion eines Jahres/One Year's Production

 at the Kunsthalle Bern and the Palais des Beaux-Arts, Brussels, in 1974; 

On Kawara: continuity/discontinuity 1963-1979

, which was first on view at the Moderna Museet in Stockholm in 1980 and traveled to the Museum Folkwang, Essen, Germany, Van Abbemuseum, Eindhoven, The Netherlands, and The National Museum of Art, Osaka; 

, which toured from 1991 to 1993 to the Museum Boijmans Van Beuningen, Rotterdam, to Deichtorhallen Hamburg, the Museum of Fine Arts, Boston, and the San Francisco Museum of Modern Art; 

, on view from 1996 to 1998 at the Nouveau Musée/Institut d'art contemporain, Villeurbanne, France, Castello di Rivoli, Turin, Museu d'Art Contemporani de Barcelona, Musée d'Art Moderne, Villeneuve d'Ascq, France, and the Museum of Contemporary Art, Tokyo; and 

 at the Städtischen Galerie im Lenbachhaus und Kunstbau München, Munich and Museum Ludwig, Cologne, in 2000 to 2001.

, is a monumental series of twenty-four works comprising 

, which was dedicated to "all those who have lived and died," and 

 volumes, noting each year over an entire millennium from 998,031 BC, were started in 1970 and took two years to complete, while the 

 years, begun in 1980, were written over the span of eighteen years and finish at 1,001,997 AD. Together the volumes make up 2,000,000 years. The first audio presentation of 

, where male and female volunteers alternate to speak out the dates, took place at Dia Center for the Arts, New York, in 1993, and other venues have included Musée d'Art Moderne de la Ville de Paris (2000); David Zwirner, New York (2001 and 2009); Documenta 11, Kassel (2002); Trafalgar Square, London (a continuous outdoor reading organized by the South London Gallery lasting seven days and seven nights, 2004); Stedelijk Museum, Amsterdam (2010); BALTIC Centre for Contemporary Art, Gateshead, England (2012); Jardin des Tuileries, Paris (organized in conjunction with FIAC by Galerie Martine Aboucaya and Galerie Yvon Lambert, 2012); Dia:Beacon, New York (2013); and BOZAR - Centre for Fine Arts, Brussels (2013). In 2017, a reading took place in the Oratorio di San Ludovico Dorsoduro, Venice as part of the 57th Venice Biennale (organized by Ikon Gallery, Birmingham, England). More recent readings have been held at venues such as the Museum MACAN, Jakarta, Indonesia (2018-2019); Mathematisch-Physikalischer Salon, Staatliche Kunstsammlungen Dresden (2021); Garage Museum of Contemporary Art, Moscow (2021); Bundeskunsthalle Bonn, Germany (2021); Saint Martin Bookshop, Brussels (2022); FRONT International: Cleveland Triennial for Contemporary Art, Ohio (2022); and Kunsthal Charlottenborg, Copenhagen (2023-2024). Readings from the books, which directly follow where the previous venue left off, will continue to take place.

Since 1998, the artist has exhibited seven Date Paintings at kindergartens around the world under the title 

. Amongst other locations, the paintings have been presented in Abidjan, Côte d'Ivoire; Leticia, Colombia; Toliara, Madagascar; London; Thimphu, Bhutan; Bequia, Saint Vincent and the Grenadines; Yusuhara, Japan; Bethlehem; Brooklyn, New York; Tongyong, South Korea; Münster, Germany; and Dazaifu, Japan.

Starting at the Ikon Gallery in Birmingham, England in 2002, 

On Kawara: Consciousness. Meditation. Watcher on the Hills

 traveled clockwise around the world to a dozen venues including Le Consortium, Dijon, France, Kunstverein Braunschweig, Germany, Institute of Contemporary Arts, Singapore, and The Power Plant, Toronto, before ending at the Museo de Arte in Lima in 2006. In 2015, a critically acclaimed, career-spanning retrospective of the artist's work, 

, was organized by the Solomon R. Guggenheim Museum in New York. Curated by Jeffrey Weiss with Anne Wheeler, it marked the first full representation of Kawara's practice beginning in 1964. Also on view in 2015 was a solo show specially focused on Kawara's production in 1966—a pivotal year in his practice—at the Museum Dhondt-Dhaenens in Deurle, Belgium. A long-term installation of the artist's Date Paintings is on view at Dia:Beacon, New York.

Work by the artist is represented in museum collections internationally, including the Centre Pompidou, Paris; Hara Museum of Contemporary Art, Tokyo; Kunstmuseum Basel; The Metropolitan Museum of Art, New York; Moderna Museet, Stockholm; Museum of Contemporary Art, Tokyo; Museum Ludwig, Cologne; The Museum of Modern Art, New York; National Gallery of Art, Washington, DC; The National Museum of Modern Art, Tokyo; Philadelphia Museum of Art; San Francisco Museum of Modern Art; Tate, United Kingdom; Toyota Municipal Museum of Art, Toyota City, Japan; and the Whitney Museum of American Art, New York.

On Kawara, One Million Years (Past), 1970-1971, Page 2001.

Tommy Simoens

Jonathan Watkins

Texts by Tommy Simoens and Jonathan Watkins

On Kawara (1932–2014) is considered to be one of the most important and most radical modern artists of our time. His oeuvre is consumed with time and place, concepts that he used to try and map out the meaning of human existence.

 focuses on Kawara’s creations from 1966, which was a key year within his oeuvre as it was the birth of his world-famous date paintings—small paintings in which he inscribed the exact date on which he created the painting in white letters and numbers on a monochromatic background. If a painting wasn’t complete by midnight, it was destroyed. Since the start of the 

 series, as the entire collection is called, in 1966, he created more than 2,000 date paintings in more than 100 different cities. The artist used a folder to accurately record the days on which he created a painting and what the format was. He also kept a smear of the paint he used and the newspaper headlines for that day in this folder. This folder, in which he documented his 1966 creations, is fully portrayed in 

In 2015, Kawara’s date paintings from 1966 were displayed in the Dhondt-Dhaenens Museum in Deurle. This was the last project that the artist collaborated on, together with the museum curator and the editor of this book, Tommy Simoens, before his death in 2014.

On Kawara: 1966

On Kawara: 1966 | Books

David Zwirner is an art gallery with locations in New York, Los Angeles, London, Paris and Hong Kong. We present physical and online exhibitions, podcasts, books, and more.