Ruth Asawa

Publisher: David Zwirner Books

Publication Date: 2018

Texts by Tiffany Bell and Robert Storr

Known for her extensive body of intricate and dynamic wire sculptures, American sculptor, educator, and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency.

Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’s legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.

Presenting an important and timely overview of the artist’s work, this monograph brings together a broad selection of her sculptures, works on paper, and more. Together the body of work demonstrates the centrality of Asawa’s innovative practice to the art-historical legacy of the twentieth century. In addition to an incredible group of photographs of the artist and her work by Imogen Cunningham, a selection of rare archival materials will illustrate a chronology of the artist’s life and work. Featuring an extensive text by Tiffany Bell which explores the artist’s influences, history, and, most importantly, the work itself, as well as a significant essay by Robert Storr discussing Asawa’s work in relation to mid-twentieth century art history, culture, and scientific theory.

Details

Publisher: David Zwirner Books

Artist: Ruth Asawa

Contributors: Tiffany Bell, Robert Storr

Publication Date: 2018

ISBN: 9781941701683

Retail: $75 | £60

Status: Not Available

Designer: McCall Associates

Printer: VeronaLibri, Italy

Binding: Hardcover

Dimensions: 8 ½ × 13 ¼ in | 21.6 × 33.7 cm

Pages: 176

Reproductions: 104 color, 21 b&w

Artist and Contributors

Ruth Asawa

American artist, educator, and arts activist Ruth Asawa (1926–2013) is known for her extensive body of wire sculptures that challenge conventional notions of material and form through their emphasis on lightness and transparency. Over the course of more than a half century, Asawa created a cohesive body of sculptures and works on paper that, in their innovative use of material and form, deftly synthesizes a wide range of aesthetic preoccupations at the heart of postwar art in America.

Tiffany Bell

Tiffany Bell is an independent art curator and writer. She is currently working as the editor of the Agnes Martin Catalogue Raisonné and has just completed the first volume, a digital publication, which includes Martin’s paintings, constructions, and film (2017). She continues work on the second volume that will include Martin’s unique works on paper. She was recently co-curator of the 2015–2017 traveling retrospective of Agnes Martin’s art that visited the Tate Modern in London, Kunstsammlung Nordrhein-Westfalen in Düsseldorf, the Los Angeles County Museum of Art, and the Solomon R. Guggenheim Museum in New York. Previously, she was the director of the Dan Flavin Catalogue Raisonné project, which resulted in the publication of Dan Flavin: The Complete Lights, 1961–1996 (2004), and served as curator for several museum and gallery exhibitions of Flavin’s lights, including Dan Flavin: Series and Progressions held at David Zwirner in 2009. Bell has taught in the art department at Pratt Institute and has worked for many years as a freelance curator and art critic with articles appearing in Art in America, Arts Magazine, and Artforum, among other publications.

Robert Storr

Robert Storr is an American artist, critic, and educator who was a curator, and then senior curator, of The Museum of Modern Art’s Department of Painting and Sculpture from 1990 to 2002 and from 2005 to 2007. He served as the first American-born director of the Venice Biennale. From 2002 to 2006, he was the Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University, and then dean of the Yale School of Art from 2006 to 2016, where he remains as a professor of painting and printmaking. The exhibition he organized at David Zwirner in 2013 to celebrate the centenary of Ad Reinhardt was voted “Best Show in a Commercial Space in New York” by the US Art Critics Association.

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