William Eggleston: From Black and White to Color

Publisher: Steidl

Publication Date: 2014

Text by Thomas Weski

At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: "I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson. " Eventually Eggleston developed his own style which later shaped his seminal work in color—an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles, and ghostly figures lost in space. From Black and White to Color includes some exceptional as-yet-unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Eggleston's work when he began photographing in color at the end of the 1960s. Here we discover similar obsessions and recurrent themes as present in his early black-and-white work including ceilings, food, and scenes of waiting, as well as Eggleston\s unconventional croppings-all definitive traits of the photographer who famously proclaimed, "I am at war with the obvious."

Details

Publisher: Steidl

Artist: William Eggleston

Publication Date: 2014

ISBN: 9783869307930

Retail: $45 | £32

Status: Not Available

Binding: Hardcover

Dimensions: 7 x 9 1/2 in (17.8 x 24.1 cm)

Pages: 192

Reproductions: illustrated throughout

Artist and Contributors

William Eggleston

Over the course of nearly six decades, William Eggleston (b. 1939) has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition. His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the medium’s foremost practitioners to date, Eggleston’s work continues to exert an influence on contemporary visual culture at large.

$45