A scuplture by Yayoi Kusama called Dancing Pumpkin dated 2020

’s (b. 1929) work has transcended two of the most important art movements of the second half of the twentieth century: pop art and minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

Born in Matsumoto, Japan, Kusama has been the subject of both solo and group presentations worldwide. She presented her first solo show in her native Japan in 1952. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. Her work gained renewed widespread recognition in the late 1980s following a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, both of which took place in 1989. She represented Japan in 1993 at the 45th Venice Biennale, to much critical acclaim. In 1998, the Los Angeles County Museum of Art and the Museum of Modern Art, New York, co-organized 

, which toured to the Walker Art Center, Minneapolis (1998-1999), and Museum of Contemporary Art, Tokyo (1999).

In 2011 to 2012, her work was the subject of a large-scale retrospective that traveled to the Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Pompidou, Paris; Tate Modern, London; and the Whitney Museum of American Art, New York. From 2012 through 2015, three major museum solo presentations of the artist’s work simultaneously traveled to major museums throughout Japan, Asia, and Central and South America. In 2015, the Louisiana Museum of Modern Art in Humlebæk, Denmark, organized a comprehensive overview of Kusama’s practice that traveled to Henie-Onstad Kunstsenter, Høvikodden, Norway; Moderna Museet, Stockholm; and Helsinki Art Museum. In 2017-2019, a major survey of the artist’s work, 

, was presented at the Hirshhorn Museum and Sculpture Garden, Washington, DC; Seattle Art Museum; The Broad, Los Angeles; Art Gallery of Ontario, Toronto; The Cleveland Museum of Art, Ohio; and the High Museum of Art, Atlanta. 

, which marked the first large-scale exhibition of Kusama’s work presented in Southeast Asia, opened at the National Gallery of Singapore in 2017 and traveled to the Queensland Art Gallery | Gallery of Modern Art in Brisbane, Australia and the Museum of Modern and Contemporary Art in Nusantara, Jakarta. In 2019, 

 an exhibition tailor-made specifically for the Fosun Foundation, Shanghai, included more than forty works by the artist.

A comprehensive retrospective of the artist’s work was on view at Gropius Bau, Berlin, in 2021, and traveled to the Tel Aviv Museum of Art in 2022. 

 was on view at The New York Botanical Garden in 2021. In 2022, several major exhibitions of the artist’s work opened, including 

Yayoi Kusama: DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE, 

One with Eternity: Yayoi Kusama in the Hirshhorn Collection, 

Hirshhorn Museum and Sculpture Garden, Washington, DC. A major retrospective of the artist’s oeuvre, 

was on view from 2022 to 2023 at the M+ Museum in Hong Kong, then traveled to Guggenheim Bilbao (2023) and Serralves Museum, Portugal (2024). Also in 2023, 

was on view at Aviva Studios, Manchester, and the Pérez Art Museum Miami presented the exhibition 

 was on view at the San Francisco Museum of Modern Art in 2024.

In 2023, a commissioned mosaic by Kusama, 

A Message of Love, Directly from My Heart unto the Universe

 (2022) was unveiled at the new Madison Concourse at Grand Central Station, New York, and will remain on permanent view.

Kusama has been represented by David Zwirner since 2013. The gallery’s inaugural exhibition in 2013 with the artist, titled

, spanned all three spaces at West 19th Street in New York. Her second gallery solo show, 

, was held at David Zwirner, New York, in 2015. Subsequent solo shows of the artist’s work at David Zwirner, New York include 

 in 2019. In 2021, David Zwirner, Victoria Miro, and Ota Fine Arts jointly presented 

I WANT YOUR TEARS TO FLOW WITH THE WORDS I WROTE

 in London, Tokyo, and New York. In 2023 at the gallery’s 19th Street location, the artist’s sixth solo exhibition with David Zwirner, 

Yayoi Kusama: I Spend Each Day Embracing Flowers

Yayoi Kusama Museum, a museum dedicated to the artist’s work, opened October 1, 2017, in Tokyo with the inaugural exhibition 

Creation is a Solitary Pursuit, Love is What

. The museum’s fourteenth exhibition devoted to her work, 

Work by the artist is held in museum collections worldwide, including the Art Gallery of Ontario, Toronto; Centre Pompidou, Paris; Hirshhorn Museum and Sculpture Garden, Washington, DC; Los Angeles County Museum of Art; The Museum of Modern Art, New York; National Museum of Modern Art, Tokyo; Stedelijk Museum, Amsterdam; Tate, United Kingdom; Walker Art Center, Minneapolis, Minnesota; and the Whitney Museum of American Art, New York, among numerous others. Kusama lives and works in Tokyo.

Yayoi Kusama, 2021.  Photo by Yusuke Miyazaki

Robert Slifkin is an associate professor of fine arts at the Institute of Fine Arts, New York University. He is the author of 

End of Man: U.S. Sculpture between War and Peace, 1945–1975

Out of Time: Philip Guston and the Refiguration of Postwar American Art

 (2013), which was awarded the Phillips Book Prize. His essays and reviews have appeared in such magazines and journals as 

Robert Slifkin

Lynn Zelevansky is an art historian, curator, and writer based in New York. From 2009 through 2017, she was the Henry J. Heinz ll Director of the Carnegie Museum of Art, Pittsburgh. From 1995 to 2009, she held several positions at the Los Angeles County Museum of Art, ending her tenure as Smooke Curator and Department Head, Contemporary Art. From 1986 to 1995, she worked as a curatorial assistant in the Painting and Sculpture Department at The
Museum of Modern Art, New York.

Lynn Zelevansky

Texts by Robert Slifkin and Lynn Zelevansky

The newest book from the internationally celebrated Japanese artist Yayoi Kusama presents her latest monumental and vibrant work and is the first to explore the experience of seeing it from the lens of the visitor.

“My entire life has been painted here. Every day, any day. I will never cease dedicating my whole life to my love for the universe.” —Yayoi Kusama

One of the most influential artists of the twentieth and twenty-first centuries, Kusama has created a profoundly personal oeuvre that resonates with a global audience. Distinctly recognizable, her works frequently deploy repetitive elements such as dots to evoke both microscopic and macroscopic universes.

Celebrating the visitor experience, this publication offers an immersive tour of Kusama’s 2023 exhibition at David Zwirner, New York. Illustrating thirty-five paintings, a gigantic sculptural installation of pumpkins, a trio of towering, colorful flower sculptures, and a fan-favorite Infinity Mirror Room, 

 is a vivid document with varying perspectives that echo Kusama’s own.

New scholarship by Robert Slifkin considers how Kusama innovates and complicates art-historical traditions of image production and how her art seeks to connect humans with the greater cosmos. An essay by Lynn Zelevansky reflects on her own long-standing engagement with Kusama’s work and the ways in which it, across the decades, can be seen as a record of love in all its complexity: full of humanity, generosity, affection, sadness, and pain.



 featuring a slipcase is available in a limited run of 300 hand-numbered copies.

Yayoi Kusama: I Spend Each Day Embracing Flowers | Books

David Zwirner is an art gallery with locations in New York, Los Angeles, London, Paris and Hong Kong. We present physical and online exhibitions, podcasts, books, and more.