Exceptional Works: Josef Albers

Formulation: Articulation, 1972

Josef Albers, Formulation: Articulation, 1972 (detail)

Created by Josef Albers in 1972, the present work is a complete set of the two-volume print portfolio Formulation: Articulation, an expansive series of 127 screenprints printed on 66 sheets of folded wove paper. Albers spent roughly two years working on the prints, which are based on a range of works from throughout his life including sand-blasted glass works from his Bauhaus period, woodcuts from his time at Black Mountain College, and countless Variant/Adobe and Homage to the Square paintings, among others.

A preface to the portfolio, written by its publishers, Norman Ives and Sewell Sillman, describes the content and concept of the volumes, stressing that the portfolio is “the realization rather than the reproduction of the essential ideas in Josef Albers's works.” They further explain, “Works have been selected from forty years of Albers’s search and offer an unusual opportunity for study of this significant artist’s direct participation in an original development of his own work.”

“When it comes to Albers’s printmaking enterprise in particular, the range of subject matter, style, method, and process make generalizations impossible. What is consistent is an enduring curiosity about medium and a willingness to explore new methods.... There is also frequently a sense of adventure and a whimsicality, a surprise at what the process yields.”

—Brenda Danilowitz, art historian and chief curator at the Josef and Anni Albers Foundation, 2010

Josef Albers, Formulation: Articulation, 1972 (detail)

Josef Albers, Formulation: Articulation, 1972 (detail)

Josef Albers, Formulation: Articulation, 1972 (detail)

 

Printmaking was an important part of Albers's practice and he made prints with a variety of publishers, including Tamarind Lithography Workshop in Los Angeles. Pictured here, Albers reviews a proof while working at Tamarind in 1962. Photo by Marvin Silver

“Art is concerned with the HOW, not the WHAT…. The performance—how it is done—that is the content of Art.”

—Josef Albers, “The Meaning of Art,” 1940

Josef Albers, Formulation: Articulation, 1972 (detail)

Josef Albers, Formulation: Articulation, 1972 (detail)

Josef Albers, Formulation: Articulation, 1972 (detail)

 

Other complete sets of Formulation: Articulation are held in the collections of the British Museum, London; Buffalo AKG Art Museum, Buffalo, New York; The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; Philadelphia Museum of Art; Portland Art Museum, Oregon; Princeton University Art Museum; San Francisco Museum of Modern Art; Stedelijk Museum, Amsterdam; Victoria and Albert Museum, London; Virginia Museum of Fine Arts, Richmond; and the Whitney Museum of American Art, New York, among others. In 2006, Thames & Hudson printed a complete facsimile of Formulation: Articulation.

Josef Albers, Formulation: Articulation, 1972 (detail)

Josef Albers, Formulation: Articulation, 1972 (detail)

Josef Albers, Formulation: Articulation, 1972 (detail)

 

“It is only after a close study of all [Albers's] works… that you can both understand his philosophy of art and appreciate that Formulation: Articulation is Albers’s summa. It expresses, with breathtaking inventiveness and vigour for a man in his eighties, the thoughts and ideas of a lifetime, and the theoretical application of the intensely practical views he had set out over a century of teaching.”

—Norman Ives and Sewell Sillman, preface to Formulation: Articulation, 1972

Consign with David Zwirner