Alice Neel is best known for her portraits which, with their controlled painterly drama and psychological nuance, are complete and polished formal statements in a classical genre. Her drawings and watercolors, or at least the 62 in this absorbing show, are closer to diary entries. Ruminative, confiding, sometimes startlingly unguarded in emotion, they add up to a self-portrait sketched in private over some 50 years.
The earliest watercolors from the 1920s establish a period mood; they present the New York City that greeted a young artist when she arrived there at age 27 with a Cuban-born husband who would soon leave her and their infant, a daughter, who would soon die. There was little money; life was raw. In watercolors we see nude figures sponging down in a cramped tenement; glimpses of Dostoyevskian neighbors (in 1938 Ms. Neel drew a set of illustrations for "The Brothers Karamazov"); and a bleak Hudson River winter landscape, ash-gray in what was still a coal-heated, bad-air town.