Diana Thater: The Sympathetic Imagination

Installation view of the exhibition, Diana Thater, The Sympathetic Imagination, LACMA in Los Angeles, dated 2015.

Installation view, Diana Thater: The Sympathetic Imagination, Los Angeles County Museum of Art, November 22, 2015-February 21, 2016. Photo by Fredrik Nilsen

 

LACMA, Los Angeles

November 22, 2015–April 17, 2016

The most comprehensive exhibition of her work to date, Diana Thater: The Sympathetic Imagination offers visitors an unprecedented opportunity to survey the artist’s film-, video-, and installation-based works. The exhibition takes its point of departure in the artist’s 1992 breakthrough work Oo Fifi, Five Days in Claude Monet’s Garden, Part 1 and Part 2, in which footage shot at the Fondation Claude Monet in Giverny, France, was broken into the primary colors of video (RGB) and partially reconstructed or projected separately. While the fragmentation of imagery recalls Monet’s own interest in breaking up visual experience, Thater’s work incorporates an interactive dimension, as viewers’ shadows are repetitively rendered in the three hues. The show’s most recent inclusion, Life Is a Time-Based Medium, filmed at the Galtaji Temple in Jaipur, India, is a monumental installation that conflates the actual architecture of the temple with the gallery in which it is shown. Expansive in its scope, Diana Thater: The Sympathetic Imagination traces the evolution of the artist’s celebrated practice and solidifies her standing as a pioneer of film and video art.

Learn more at LACMA.