Collaboration with Raymond Pettibon

Installation view of the exhibition, Forgetting The Hand, at David Zwirner in New York, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Forgetting the Hand at David Zwirner, New York (2016)

Installation view of the exhibition, Forgetting The Hand, at David Zwirner in New York, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Forgetting the Hand at David Zwirner, New York (2016)

Installation view of the exhibition, Forgetting The Hand, at David Zwirner in New York, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Forgetting the Hand at David Zwirner, New York (2016)

Installation view of the exhibition, Forgetting The Hand, at David Zwirner in New York, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Forgetting the Hand at David Zwirner, New York (2016)

Installation view of the exhibition, Forgetting The Hand, at David Zwirner in New York, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Forgetting the Hand at David Zwirner, New York (2016)

Installation view of the exhibition Let us compare mythologies at David Zwirner in London, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Let us compare mythologies at David Zwirner, London (2016)

Installation view of the exhibition Let us compare mythologies at David Zwirner in London, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Let us compare mythologies at David Zwirner, London (2016)

Installation view of the exhibition Let us compare mythologies at David Zwirner in London, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Let us compare mythologies at David Zwirner, London (2016)

Installation view of the exhibition Let us compare mythologies at David Zwirner in London, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Let us compare mythologies at David Zwirner, London (2016)

Installation view of the exhibition Let us compare mythologies at David Zwirner in London, dated 2016.

Marcel Dzama and Raymond Pettibon 
Installation view of Let us compare mythologies at David Zwirner, London (2016)

A detail from a collaborative zine by Marcel Dzama and Raymond Pettibon, dated 2016.

Marcel Dzama and Raymond Pettibon 
Cover of Dzama / Pettibon zine (2016)

Spreads from Marcel Dzama and Raymond Pettibon's collaborative zine, dated 2016.

Marcel Dzama and Raymond Pettibon 
Dzama / Pettibon: Let us compare mythologies zine (2016)

 

Drawings, zines, and exhibitions

Ongoing since 2015

A photograph of Marcel Dzama and Raymond Pettibon working on their collaborative mural, dated 2016.

Marcel Dzama and Raymond Pettibon began collaborating in the summer of 2015, creating works by swapping drawings in the "exquisite corpse" method, in which a partner is only given portions of an otherwise concealed drawing to work on. The drawings first appeared in Dzama / Pettibon, a zine published to coincide with Printed Matter's 2015 New York Art Book Fair at MoMA PS1. Produced in an edition of 200, the zine sold out on the first day of the fair.

An expanded second edition of the zine was later published for Forgetting the Hand, an exhibition of the artists' collaborative works at David Zwirner in New York. The second edition included 20 additional drawings and a text by poet Andrew Durbin. The collaboration continued as Dzama and Pettibon created works for the exhibition Let us compare mythologies, which was on view at the London gallery later in 2016.

In a fourth zine launched at the 2017 edition of Printed Matter's LA Art Book Fair, Marcel Dzama and Raymond Pettibon turn their distinctive artistic collaboration to address recent political events. This 36-page full-color zine includes drawings, collages, comic strips, and protest posters. The result is the artists' personalized version of a political pamphlet filled with vibrant, vocal responses to topical subject matter. Dzama's Instagram account features images of some of the works, posted directly from the studio as he and Pettibon were making them.