Narcissus Garden

Installation view of the exhibition Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House in Connecticut, dated 2016.

Yayoi Kusama 
Installation view of Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House, Connecticut (2016)

Installation view of the exhibition Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House in Connecticut, dated 2016.

Yayoi Kusama 
Installation view of Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House, Connecticut (2016)

Installation view of the exhibition Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House in Connecticut, dated 2016.

Yayoi Kusama 
Installation view of Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House, Connecticut (2016)

Installation view of the exhibition Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House in Connecticut, dated 2016.

Yayoi Kusama 
Installation view of Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House, Connecticut (2016)

Installation view of the exhibition Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House in Connecticut, dated 2016.

Yayoi Kusama 
Installation view of Yayoi Kusama: Narcissus Garden at the Philip Johnson Glass House, Connecticut (2016)

 

Sculptural installation at the historic landmark Philip Johnson Glass House

2016

The Philip Johnson Glass House presented a unique installation of Kusama's Narcissus Garden on its grounds in New Canaan, Connecticut. First exhibited at the 1966 Venice Biennale, the work is created from thousands of mirrored steel spheres that, in this iteration, floated on the surface of the Glass House pond, moving with the wind and water's currents. A pumpkin sculpture was also installed on the grounds of the historic landmark site.

The exhibition was organized by Irene Shum, Curator and Collections Manager at the Glass House, to celebrate the 110th anniversary of Philip Johnson's birth and the tenth anniversary of the opening of the Glass House site to the public.

During September 2016, the special installation Dots Obsession – Alive, Seeking for Eternal Hope was also on view. The Glass House itself was covered in red dots, transforming the structure into a signature Kusama infinity room.

Irene Shum spoke with The New York Times about the installation. Read more in Vogue and Co.Design.