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“Live for a while in these books.’’

Excerpts from David Zwirner Books

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Kerry James Marshall Paints Vogue's September Issue Cover

Dialogues: The David Zwirner Podcast

Catch up on Seasons 1–3

Reopening Thursday, August 27 and on view through January 9, 2021, the Museum of Modern Art, New York, presents the 

. Organized by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture; and Yasmil Raymond, Associate Curator; with Tamar Margalit, Curatorial Assistant; and Erica Cooke, Research Fellow, Department of Painting and Sculpture, MoMA, 

 explores the work of the celebrated artist who aimed to create straightforward pieces that could assume a direct, material, and physical presence, without recourse to grand philosophical statements. Judd eschewed the classical ideals of representational sculpture in favor of creating a rigorous visual vocabulary that sought clear and definite objects as its primary mode of articulation. Presented solely at MoMA, this retrospective includes some sixty works of sculpture, painting, and drawing, from public and private collections in the US and abroad.

“Half a century after Judd established himself as a leading figure of his time, there remains a great deal to discover,” Temkin says. “MoMA’s presentation will emphasize the radicality of his approach to art-making and the visual complexity of his work.” The exhibition will be accompanied by a fully illustrated catalog, featuring essays examining subjects fundamental to Judd’s work and thinking, including methods of fabrication, his early paintings and sketchbooks, his relationship with museums, his interest in site-specific work, and his activities in the realms of design and architecture.

Published by Judd Foundation and David Zwirner Books in 2019, 

 presents sixty interviews with the artist over the course of four decades and is the first compilation of its kind. It is the companion volume to the critically acclaimed and bestselling 

At the Museum of Modern Art

Donald Judd

Artists in the News

Ruth Asawa in T Magazine

David Zwirner Now Represents Shio Kusaka

Featuring Barbara Kruger, Raymond Pettibon, and more

Face Masks from Gallery Artists

“Movement is a theme in Ancart’s art and in his life—from his decision to immigrate to the United States after art school in Brussels to his breakthrough body of work, a series of drawings he made in the back of his car while on a cross-country road trip, which were later exhibited at the Menil Collection in Houston (some of the pieces for this show was created in Los Angeles, where Ancart temporarily decamped during the Covid-19 pandemic). He compares making his paintings to taking the kind of walk where you don’t chart a course, and on his studio door he’s stenciled the words ‘Grand Flâneur.’ It’s a sort of self-imposed nickname—not, as he puts it, in the ‘19th-century lazy dandy’ sense, but rather as ‘one who walks around and tries to isolate poetic moments out of the everyday urban landscape. I think that’s how I’ve learned to be an artist: walking the streets, not torturing myself in a studio.’”

Image: Harold Ancart in his studio, Brooklyn. Photo by Aundre Larrow

Harold Ancart: Traveling Light

Harold Ancart in T Magazine

Presented exclusively at Platform. Visit platform.art to learn more.

Artists for Biden

 is one of more than sixty artists who have contributed to Plan Your Vote’s public digital library of voting advocacy images, available for anyone to download and share.



 that harnesses the power of visual art to mobilize citizens to exercise their voting rights. The website provides accurate and state-specific information about registration, requirements, and resources to help ensure everyone has a voting strategy.

To download Marcel Dzama’s image and to learn more about your voting rights, please 

Artist Collaboration

Plan Your Vote with Marcel Dzama

For two weeks this October at our 20th Street gallery, we invite you to experience a historically significant work by Doug Wheeler. 

 (1967) is on view for the first time since the artist’s first solo exhibition at the Pasadena Art Museum in 1968.

The present work is one of two large-format works of this kind in existence. This installation is a rare example of the artist’s “fabricated light paintings” made between 1965 and mid-1967, a period that marked Wheeler’s departure from traditional painting and his first experiments with light as a medium.

This fabricated light painting is installed on a white wall, above a white floor. The resulting effect is one of a halo of light that not only plays across the surface of the work but also melds with the white wall. As Wheeler’s longtime collaborator and author of the artist’s first major 

, published by David Zwirner Books in 2019, art historian Germano Celant notes, “The radiant entity that emerges from the spray-painted acrylic sheet seems almost like the birth of a new phenomenal event.”

Price is available upon request by emailing 

Book your appointment to view the installation 

Image: Installation view, Doug Wheeler, 

What's On View

Limited Time Only: Doug Wheeler, Untitled, 1967⁣

doug wheeler untitled 1967

David Zwirner is an art gallery with locations in New York, Los Angeles, London, Paris and Hong Kong. We present physical and online exhibitions, podcasts, books, and more.