Baltimore Museum of Art
March 2022
March 6–August 14, 2022
The Baltimore Museum of Art (BMA) presents Joan Mitchell, the long-awaited retrospective of the internationally renowned artist who attained critical acclaim and success in the male-dominated art circles of 1950s New York, then spent nearly four decades in France creating breathtaking abstract paintings that evoke landscapes, memories, poetry, and music. This comprehensive exhibition features 70 works spanning the artist’s career, including rarely seen early paintings and drawings, vibrant gestural paintings that established her reputation in New York, and enormous multi-panel masterpieces from her later years that immerse viewers with their symphonic color. Numerous loans from public and private collections in the U.S. and Europe include works that have not been shown publicly in decades and never in a single exhibition. The BMA’s presentation also includes many archival photographs, letters, poems, and other materials from the Joan Mitchell Foundation, providing additional context about the development of the artist’s work and influences.
“Across her life, Joan Mitchell experimented with how painting could embody physical experience and capture a wide range of emotions—including grief, sensual pleasure, humor, joy, and a kind of metaphysical soaring in the face of death—as well as connections to people and places,” said co-curator Katy Siegel, BMA Senior Programming & Research Curator and Thaw Chair of Modern Art at Stony Brook University. “Mitchell also grappled with conflict between the social roles prescribed by her gender and social status and her desire for true creative freedom. She was not simply ‘making it’ in an environment created and occupied by men, she was actively remaking painting and its possibilities. This exhibition is an opportunity to ask what it means to live a life with art at its center and to reconsider the art and narratives of the postwar era.”
The retrospective coincides with the final month of the exhibition All Due Respect, which features new work by four artists with ties to Baltimore who have previously received Joan Mitchell Foundation awards. All Due Respect includes installations by Lauren Frances Adams, Mequitta Ahuja, Cindy Cheng, and LaToya Hobbs, and highlights Mitchell’s desire to support the lives and careers of working artists through her foundation.