Thomas Ruff

Thomas Ruff (b. 1958) rose to international prominence in the late 1980s as a member of the Düsseldorf School. Working in discrete series, Ruff's overarching inquiry into the "grammar of photography" has made his work uniquely influential to subsequent generations of photographers.

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Biography

Thomas Ruff (b. 1958) rose to international prominence in the late 1980s as a member of the Düsseldorf School, a group of young photographers who had studied under Bernd and Hilla Becher and became known for their experimental approach to the medium and its evolving technological capabilities. Ruff in particular made a radical break with the style of his teachers, establishing a distinct approach to conceptual photography through a variety of strategies, including the use of color, the purposeful manipulation of source imagery—originally through manual retouching techniques and eventually through digital methods—and the enlargement of the photographic print to the scale of monumental painting. Working in discrete series, Ruff has since utilized these methods to conduct an in-depth examination of a variety of photographic genres, including portraiture, the nude, landscape, and architectural photography, among others. Highly influential to subsequent generations of photographers, Ruff's overarching inquiry into the "grammar of photography" accounts for not only his heterogeneous subject matter, but also the extreme variation of technical means used to produce his series, ranging from anachronistic devices to the most advanced computer simulators and covering nearly all ground in between.

Born in Zell am Harmersbach, West Germany, Ruff attended the Staatliche Kunstakademie in Düsseldorf from 1977 to 1985.

In 2024, Ruff was the subject of the inaugural exhibition at Malkastenforum, the new building of the Malkasten artists’ association founded in Düsseldorf in 1848. A solo presentation of the artist’s work was on view at K20 – Kunstsammlung Nordrhein-Westfalen, Düsseldorf, in 2020–2021. Works from tableaux chinois, alongside fifteen other series dating back to 1989, were on view in Thomas Ruff: after.images – Works 1989–2020, a major solo exhibition of the artist’s work curated by Martin Germann at the National Taiwan Museum of Fine Arts, Taichung, in 2021. In 2022, Thomas Ruff: Méta-photographie was on view at the Musée d’art moderne et contemporain de Saint-Étienne Métropole (MAMC+), France. Later in 2022, a two-person exhibition, Dark Matter, featuring work by Ruff and James Welling was presented at Kunsthalle Bielefeld, Germany.

In 2018, Ruff was featured in Photography Spotlight, an exhibition at the Victoria and Albert Museum in London that celebrated the opening of the museum’s new Photography Centre. The artist created a new body of work titled Tripe as a special commission to inaugurate the space.

Ruff’s work has been the subject of solo exhibitions at prominent institutions worldwide, including Whitechapel Gallery, London (2017); The National Museum of Modern Art, Tokyo (2016; traveled to 21st Century Museum of Contemporary Art, Kanazawa, Japan); Art Gallery of Ontario, Toronto (2016); Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent (2014; traveled to Kunsthalle Düsseldorf); Haus der Kunst, Munich (2012); LWL-Landesmuseum für Kunst und Kulturgeschichte, Münster (2011); Centro de Arte Contemporáneo de Málaga, Spain (2011); Castello di Rivoli, Turin (2009); Museum für Neue Kunst, Freiburg, Germany (2009); Kunsthalle Wien, Vienna (2009); Műcsarnok Kunsthalle, Budapest (2008); Moderna Museet, Stockholm (2007); Sprengel Museum Hannover, Germany (2007); Musée d’art moderne et contemporain, Geneva (2004); and Museo Tamayo, Mexico City (2002).

In 2001–2002, Thomas Ruff: Photographs 1979 to Present opened at Staatliche Kunsthalle Baden-Baden, Germany. This major solo exhibition of the artist’s work traveled through 2004 to the Museet for samtidskunst, Oslo; Museum Folkwang, Essen, Germany; Städtische Galerie im Lenbachhaus, Munich; Irish Museum of Modern Art, Dublin; Artium Museoa: Museo de Arte Contemporáneo del País Vasco, Vitoria Gasteiz, Spain; Museu de Serralves, Porto; Tate Liverpool, England; and Ujazdowski Castle Centre for Contemporary Art, Warsaw.

Ruff’s work has been represented by David Zwirner since 2000, and in that time he has had thirteen solo exhibitions with the gallery, including numerous shows in New York (2000, 2001, 2003, 2005, 2007, 2010, 2013, 2016, and 2022), as well as exhibitions in London (2016, 2025), Hong Kong (2019), and Paris (2021).

Work by the artist is held in museum collections worldwide, including the Art Institute of Chicago; Dallas Museum of Art; Essl Museum, Klosterneuburg, Austria; Nationalgalerie, Berlin; Hirshhorn Museum and Sculpture Garden, Washington, DC; K20 – Kunstsammlung Nordrhein-Westfalen, Düsseldorf; The Metropolitan Museum of Art, New York; Moderna Museet, Stockholm; National Gallery of Victoria, Melbourne; National Museum of Photography, Copenhagen; Solomon R. Guggenheim Museum, New York; and Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent. Ruff lives and works in Düsseldorf.

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